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Michael Reidel Versus

Michael Reidel Versus

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CapnHook
#1Michael Reidel Versus
Posted: 6/2/10 at 1:01am

I couldn't sleep, and when I can't sleep I put on DVD's and listen to the audio commentary because I usually don't get around to listening to them. I put in the film SHOW BUSINESS: THE ROAD TO BROADWAY (which, yes, does has a film commentary and I HIGHLY recommend it! It becomes a whole new film.) The commentary is by the director, producer Alan Cumming and one of the docu-subjects, Jeff Marx.

During one of the scenes, the subject of Michael Reidel comes up and Alan Cumming mentions an incident that happened during an interview backstage at the Tony Awards. On the subject of Bernadette Peters in GYPSY:

Cumming to Reidel: "Isn't it interesting that you've become this kind of celebrity for really berating this artist who is in trouble."

Reidel: "I saw an opening and I went for it."

Cumming: "Thank you for being so honest about your character. This interview is over."

The director of SHOW BUSINESS adds that Reidel was punched in the face by director David Leaveaux during a fist-fight at Angus.

This is all too fascinating to me. There must be SO many stories. I kind of want to make a documentary called "Michael Reidel Versus."


"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle

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LizzieCurry
#2Michael Reidel Versus
Posted: 6/2/10 at 1:03am

I kind of want to make a documentary called "Michael Reidel Versus."

No, then I would envision him bullriding, and we don't need that.


"This thread reads like a series of White House memos." — Mister Matt

ghostlight2
#2Michael Reidel Versus
Posted: 6/2/10 at 1:57am

I wouldn't want to give him that kind of attention. I don't think Alan Cumming is all that much better, though. Sounds like he asked a question in such a way as to to elicit a specific response, then shut Riedel (it's Riedel, btw, not Reidel) down for giving it. Not that Riedel didn't deserve it, but they make a pretty smarmy pair.

As to the Leveaux incident, there was no fistfight involved. Riedel repeatedly got in Leveaux's face, taunting him about Fiddler, and in Leveaux's words "I felt he needed to be on the ground", and put him there, whether by punch or by shove - accounts vary. End of the "fight". Riedel was fine, breaking only his watchband, and admitted he'd been drunk at the time. He as much as apologized for it later. Angus, the proprietor of the establishment, threw Riedel out that night, and later, when he was on Theatertalk, told Riedel "If you'd said to me what you said to [Leveaux], I would have broken more than your watch".

Riedel is an attention whore who loves to be hated. He thrives on it. I truly think that he's not a well man.
Updated On: 6/2/10 at 01:57 AM

Mattbrain
#3Michael Reidel Versus
Posted: 6/2/10 at 6:30am

"Riedel is an attention whore who loves to be hated. He thrives on it. I truly think that he's not a well man."

Amen to that!


Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you. --Cartman: South Park ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."

Yankeefan007
#4Michael Reidel Versus
Posted: 6/2/10 at 9:50am

He's a gossip columnist for the New York Post.

All questions are answered by that statement.

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Reginald Tresilian
#5Michael Reidel Versus
Posted: 6/2/10 at 9:53am

"He as much as apologized for it later."

What exactly does that mean?

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AC126748
#6Michael Reidel Versus
Posted: 6/2/10 at 10:10am

He's a gossip columnist for the New York Post.

All questions are answered by that statement.


Exactly. Gossip columnists thrive on attention and drama, no matter what field they cover. Riedel is no different. And since we sit around here every Wednesday and Friday discussing his column, I'd say he's succeeding.


"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body

Yankeefan007
#7Michael Reidel Versus
Posted: 6/2/10 at 10:28am

Riedel, when he's on fire, is fantastic.

But he's been phoning it in ever since Patrick Healy started at the Times.

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Borstalboy
#8Michael Reidel Versus
Posted: 6/2/10 at 11:17am

Like That Perez Creature, people are just losing interest. It won't be long before he picks a fight to stay "current". Oh, wait, he already did with Nathan Lane. Nobody cared. Moving on...


"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.” ~ Muhammad Ali

ghostlight2
#9Michael Reidel Versus
Posted: 6/2/10 at 2:17pm

"He as much as apologized for it later."

"What exactly does that mean?"


Here's an an excerpt from the NY Times article linked below, Reg:

Speaking about the fracas, Mr. Riedel, who has extended an invitation to Mr. Leveaux to make up, sounded uncharacteristically conciliatory. 'David was obviously very sensitive after receiving a bad review from The New York Times,' he said. 'Look, we columnists mock and ridicule, and perhaps we sometimes forget that artists put a lot of effort into these shows.'

No, it's not an out and out "I'm sorry", which is why I qualified it by "as much as" - but coming from the mouth of the guy who was punched and/or pushed to the floor, his tone reads to me as at least a little regretful of his actions that precipitated the fracas.


The Times article Updated On: 6/2/10 at 02:17 PM


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