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THE ROUNDABOUT. (And other bad decisions.)

THE ROUNDABOUT. (And other bad decisions.)

Jamie Hat Profile Photo
Jamie Hat
#0THE ROUNDABOUT. (And other bad decisions.)
Posted: 7/4/04 at 12:24pm

"Planning ahead": not a familiar concept.
"Panic": a very familiar concept.
"Limited Run": We know this wouldn't last very long anyways (see: Pacific Overtures)
"90% Capacity": Barely breaking even.
"After the Fall": They're going to miss Assassins when it's gone.

"Non-profit": A valid excuse.

Jamie Hat Profile Photo
Jamie Hat
#1re: THE ROUNDABOUT. (And other bad decisions.)
Posted: 7/5/04 at 12:28pm

Tuesday they announce the future of Assassins.

sean martin
#2re: THE ROUNDABOUT. (And other bad decisions.)
Posted: 7/5/04 at 3:25pm

I honestly dont know what happened to that bunch, save that maybe by moving into the new house they got "all hat and no cattle", as we say out here. When they were in the old space, the productions seemed better thought out and, in general, planned. Now, it's almost like "OK, we gotta do a Sondheim if we want to make some money!" -- and then they turn around and give us these horrendous productions (Sorry, wasnt real fond of ASSASSINS, and FOLLIES was a complete insult).


"That duck was a sexual toy, and it was on display!" -- an unknown Nashville town leader

J. Profile Photo
J.
#3re: THE ROUNDABOUT. (And other bad decisions.)
Posted: 7/5/04 at 3:29pm

Thank you Jamie for bringing this up. I don't understand it either. They would make so much more money if they ditched the non-profit bull **** and just did open engagments. (NINE and ASSASSINS both followed the same path.)

Dollypop
#4re: THE ROUNDABOUT. (And other bad decisions.)
Posted: 7/5/04 at 6:12pm

The revival of FOLLIES improved later in its run. It really is an excellent example of the need for out-of-town try-outs.


"Long live God!" (GODSPELL)

TxTwoStep Profile Photo
TxTwoStep
#5re: THE ROUNDABOUT. (And other bad decisions.)
Posted: 7/5/04 at 7:14pm

bear in mind the whole economic reasoning...a non-profit limited-engagement means a different kind of contract with Equity. If the show is successful and transfers to a longer run, the production contract kicks in. i thought there was some brilliance in this ASSASSINS and generally a first rate cast. Wasn't NINE theirs as well? They need to look for the next CABARET to pay the bills as they take riskier ventures. And not every film star is Antonio (either of the Miller plays as examples---except wasn't CRUCIBLE theirs as well?---FALL and the early one with O'Donnell were far riskier).


Will: They don't give out awards for helping people be gay... unless you count the Tonys. "I guarantee that we'll have tough times. I guarantee that at some point one or both of us will want to get out. But I also guarantee that if I don't ask you to be mine, I'll regret it for the rest of my life..."

sean martin
#6re: THE ROUNDABOUT. (And other bad decisions.)
Posted: 7/5/04 at 7:49pm

>> wasn't CRUCIBLE theirs as well?

I dont think so. I thought that was a commercial production. All I do remember of it was a very scary piece of set design. :)


"That duck was a sexual toy, and it was on display!" -- an unknown Nashville town leader

TxTwoStep Profile Photo
TxTwoStep
#7re: THE ROUNDABOUT. (And other bad decisions.)
Posted: 7/5/04 at 7:55pm

IBDB sez it was produced by "special arrangement with The Roundabout Theatre Company"...wish i could have seen it. Like Linney and Liam. Like most Miller. Didn't Roundabout also do VIEW FROM THE BRIDGE? if so, Miller and Sondheim should be writing new shows for them! they've done a lot of the respective canons...


Will: They don't give out awards for helping people be gay... unless you count the Tonys. "I guarantee that we'll have tough times. I guarantee that at some point one or both of us will want to get out. But I also guarantee that if I don't ask you to be mine, I'll regret it for the rest of my life..."


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