Profile for bct14972

bwayrose7 said: "Honest question here, for those of you familiar with the festival. Do you think it's a worthwhile endeavor for early-career writers/composers? Sometimes I get the vibe that it's kind of seen as a playground for "weirder" shows or poorly written shows, but some of the stuff that started there ends up making it. I'm selfishly asking if it's something my partner and I should consider submitting to. Anyone in the know have thoughts?

Her "Man of La Mancha" is, sacrilegious as it may sound, the definitive version for me. It's insanity.

 

I've seen her in concert twice, both at the Tilles Center. The second time around, she had to stop the show halfway through due to vocal damage, but she was such a pro about it and had some members of the audience sing along to some of the songs in her place. I was just disappointed we missed "Man of La Mancha" that time around!

&n

I was at the matinee today and found him quite good! Hadn't seen the show yet though, so had nothing to compare him to.

It should also be noted--especially considering the Patti/Glenn talk in this thread, that at today's matinee Mrs. Close ended up pulling a Mrs. Lupone. Surprised more people aren't talking about it because it was quite the show.

After the first verse of "With One Look", Close broke character and went to her normal speaking voice, saying to

Was there last night as well! We were moved to the onstage seating and had a great time. While this is a clear cut case of a gimmick elevating the material, there was some wonderful stuff in here--notably Graham's performance and some of the songs. The plot is ridiculous, but its very well intentioned, and the composer, while not a strong librettist, has a bright future ahead of him as a composer/lyricist.

 

Indeed, there were three understudies on tonight, and I have t

I maintain that this was one of the best years for the "Best Musical" award. "Dirty Rotten Scoundrels" is one of my all time favorite shows and scores, and I would actually assume that it does similar numbers to High School/regional productions of Light or Spamalot, with Spelling Bee obviously outweighing all of them. Two years ago, my High School did Dirty Rotten and it is still talked about as a favorite.

There's some impeccable comedy lyric writing in it--I&#

I haven't seen War Paint yet, but I really think that the score nominees will be the same as the Best Musical nominees; DEH, GC, CFA and Groundhog Day. Especially after Brantley's review, I think Groundhog Day is the most likely final slot for both. 

I agree that DEH will probably win, even though GC deserves it, but Pasek and Paul are a hot commodity right now, and the committee may want to get them one step closer to their EGOTs; it only spells more visibility for the Br

Also saw this last night, and can echo that it is one of the funniest things I've ever seen onstage. Much like "Oh, Hello" earlier this year, or even "Disaster", it doesn't ask anything from the audience other than laughter--and last night's crowd complied with that request exceedingly well. Here's hoping the critics do the same--we need more unbridled joy on Broadway!

 

And indeed--the crowd was well stocked with celebs last night! My pa

Not so much an improvisation moment, but one of my favorite moments nonetheless:

 

We saw the La Cage revival when Harvey Fierstein stepped in. During "The Best Of Times", he sits on the lip of the stage, holds the hand of a patron at one of the front row tables and sings to them for the first verse. At my particular performance, he held the hand of a male senior citizen (who, after talking to him after the show, was, I believe in his 90s). Light laughter through