Profile for Observation

I didn't see the production but heard from friends who did see it, and to say they weren't fans would be an under statement. 

It just feels like what the world needs is a good ole classic chestnut Broadway production with a top tier cast. Perhaps thats just my wishful thinking. 

 

tacotheatrelover said: "Observation said: "Are there any rumblings about this becoming a full scaled production?"

As much as I would

well we won’t know if WILL be a revival until it is mounted and the Tony Committee rules it, but based on previous shows that are in similar situations as this, we can assume it will be a revival unless of course the committee breaks precedent and rules otherwise.  Where’s the confusion coming from?

John Adams said: "blaxx said: "This WILL be a revival if produced. The Tony committee also decides in a per-case scenario.

Dozens of firs

But if this is going to be a very queer production... Sara Ramirez as El Gallo would get me seated quickly. I want them back on Broadway so badly. 

 

John Adams said: "ErmengardeStopSniveling said: "Do modern sensibilities mean that El Gallo should be Latin American?"

IMO, no. It wouldn't be a stretch to think of El Gallo as being "well-traveled". I can imagine that regardless of ethnicity, any man might have the mon

I'm very intrigued by this, and glad someone is taking a big swing with a brand new concept on a show that is a classic. I haven't thought about this show in a while, and will be listening to the music today as I work, I forget just how beautiful the music is. The article mentions it will be contemporary, I'm curious as to what that means, exactly. New orchestrations? Just please don't replace that harp part. 

If this proves to be successful, I wonder if they

My point I was trying to articulate is that, $1mill isn't the safe bet it once was. It used to be impressive to see that number next to any show. Now if it's anything less you're in trouble. 

 

ACL2006 said: "Observation said: "I remember the days when a show crossed a million in grosses it meant that it was doing extremely well. Now it feels like that new number is $3million. But in those days, paying $100 for a ticket was expensive, now

I'll never understand the need for someone to be like "SEE I WAS RIGHT! I SPILLED THE TEA BEFORE OTHER PEOPLE!" Like... ok? You don't cite sources, no one knows who you are, you don't even have an original username, why should anyone take what you say as fact.

Congrats, you are better than everyone. 

 

Ensemble1711444445 said: "

Because you know I have been right.



Observation said: "And wh

And why are we to believe you aren't the one giving out "comically bad information" 

 

Ensemble1711444445 said: "This board has comically bad information. Jeremy is talking about doing Sinatra but only for Broadway after he makes an insane amount of money to do Just In Time. Sinatra is doing a limited run in London if they can find the money - it will be a brit playing Sinatra. Doyle didn't walk away - the last workshop's format hurt him.

ACL2006 said: "DBH fans are getting up there with Six, Outsider & Hamilton fans in becoming totally annoying. The rush/SRO line this morning saw countless line cutters and several arguments broke out. There really should have been security there today to deal with this."

THIS! I see some posts on twitter/X and it is embarrassing. ParticularIy asking Megan Hilty what I would consider to be inappropriate/personal questions on Cameo and then bragging/dissecting what

TheatreFan4 said: "John Adams said: "iluvtheatertrash said: "This is just how licensing works."

You poor thing.

You lack the critical thinking skills to distinguish between "how licensing works", and "how Amazon's model of Prime Video membership has devolved"."

Amazon is store that has a streaming service. They are not Netflix, they are Apple. They have content They own/produce and