National Tour Reviews (9/21-9/26)
BwayTheatre11
Broadway Legend Joined: 6/25/03
#0National Tour Reviews (9/21-9/26)
Posted: 9/23/04 at 5:29pm
RENT (San Jose, CA)
http://www.mercurynews.com/mld/mercurynews/entertainment/performing_arts/9732684.htm
Chicago (Cincinnati, OH)
http://www.cincypost.com/2004/09/22/stein092204.html
The Producers Max Tour (Providence, RI)
http://www.projo.com/theater/content/projo_20040923_prodrev.9367f.html
Thoroughly Modern Millie (San Antonio, TX)
http://www.mysanantonio.com/entertainment/stage/stories/MYSA092204.online.millie.review.13ecc76fe.html
Miss Saigon (Louisville, KY)
http://www.louisvillescene.com/2004/09/23/arts_saigon.html
BwayTheatre11
Broadway Legend Joined: 6/25/03
#1re: National Tour Reviews (9/21-9/26)
Posted: 9/23/04 at 5:31pmCan you guys access the Millie and Producers review?
#2re: National Tour Reviews (9/21-9/26)
Posted: 9/23/04 at 5:33pmyou have to register in order to access those.
BwayTheatre11
Broadway Legend Joined: 6/25/03
#3re: National Tour Reviews (9/21-9/26)
Posted: 9/23/04 at 5:36pm
OK. I set up the following PASSWORD for those.
PASSWORD: broadway
Email Address: travelinbroadway@yahoo.com
insomniak
Broadway Legend Joined: 5/7/04
BwayTheatre11
Broadway Legend Joined: 6/25/03
BwayTheatre11
Broadway Legend Joined: 6/25/03
#6re: National Tour Reviews (9/21-9/26)
Posted: 9/23/04 at 6:04pmIs the password working for all of you?
#7re: National Tour Reviews (9/21-9/26)
Posted: 9/23/04 at 6:27pmThanx for sharing! :) Updated On: 9/23/04 at 06:27 PM
#8re: National Tour Reviews (9/21-9/26)
Posted: 9/23/04 at 6:31pm
Thank you much, hun. :) Password's working fine for me.
Actually now I'm not able to access Rent anymore. WTF?
"Good luck returning my ass!" - Wilhemina Slater
"This is my breakfast, lunch and f***ing dinner right here. I'm not even f***in' joking." - Colin Farrell
BwayTheatre11
Broadway Legend Joined: 6/25/03
#9re: National Tour Reviews (9/21-9/26)
Posted: 9/23/04 at 6:39pmIt is not working from the actual site, niether, so I cannot fix it.
#10re: National Tour Reviews (9/21-9/26)
Posted: 9/23/04 at 6:44pm
Luckily I just copied and pasted this, so here y'all go.
Thanks again, BwayTheatre11!
Giving 'Rent' its due
CUTTING-EDGE MUSICAL -- EIGHT YEARS OLD -- IS NOT AGING GRACEFULLY
http://www.mercurynews.com/mld/mercurynews/entertainment/performing_arts/9732684.htm?1c
Was 1996 so long ago?
That's when ``Rent' reinvigorated Broadway by updating Puccini's opera ``La Bohème' and moving it from Paris to Manhattan's Lower East Side.
Hailed as a cutting-edge, rock-opera nod to the '90s counterculture, it depicted squatting in vacant tenements as romantic, performance art as silly yet cool and love as something that could blossom among HIV-infected hipsters.
However, on seeing the new road version of the Jonathan Larson musical, presented by American Musical Theatre of San Jose at the Center for the Performing Arts, there's an inescapable feeling that ``Rent,' has become dated in the post-9/11 world.
The electric guitars still rock the house, and the cheeky exuberance of the characters occasionally inspires.
But the world of ``Rent' is now the stuff of time capsules. The setting, Manhattan's 11th Street and Avenue B, has been gentrified into a cluster of pricey, renovated condos. AZT, the pharmaceutical that its HIV-infected characters pop in a ham-fisted, ritualized scene, has been supplanted by protease inhibitors. And the show's portrayal of young New Yorkers without cell phones or iPods is like a shot of Paris Hilton without her Chihuahua, Tinkerbell.
At its core, ``Rent' is an ode to loyalty and love in a hard-knock world. Its music might not be to the liking of traditionalists -- a handful of older patrons in the orchestra section left at intermission during the Tuesday opening. But the whooping and hollering from the balcony indicated that ``Rent' still connects with some fans.
The opening got off to a bumpy start partly because of the performance hall's acoustic dead spots and a muddy instrumental mix that made the lyrics difficult to decipher.
It didn't help that the performers' energy level sagged until deep into the first act. Damien DeShaun Smith, who plays the cross-dressing camp vamp Angel, seemed to jump-start the show with ``Today 4 U,' his dance-club-style signature song. Suddenly, the other actors turned things up a notch or three, and the production started to hum.
The ensemble at the CPA isn't as strong as the casts in previous Bay Area road shows, but several actors rose to the occasion.
Dan Rosenbaum plays HIV-infected songwriter Roger Davis with a fine balance of vulnerability and aloofness. Andy Meeks and Adrienne Fishe, who play slacker filmmaker Mark and lesbian lawyer Joanne, coyly ratchet up their characters' frustrations over a lover (Ava) in the ebullient ``Tango: Maureen.'
Mark also delivers the line that is perhaps the most revealing about ``Rent' today. Consider that the show, once seen as the pinnacle of theatrical edginess, is part of an AMT season that includes ``Peter Pan,' ``A Chorus Line' and ``Chicago.'
So when Mark howls, ``Is anyone in the mainstream?' during the ``La Vie Bohème/I Should Tell You' number, the answer is clear. For better or worse, ``Rent' has become its generation's ``Oklahoma.'
"Good luck returning my ass!" - Wilhemina Slater
"This is my breakfast, lunch and f***ing dinner right here. I'm not even f***in' joking." - Colin Farrell
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