Anytime someone tries to rhyme a word that ends with a vowel with a word that ends with a 'd'.
ex. One set of lyrics in the flop musical MARLOWE tried to rhyme "a fifteenth-century man with a twentieth-century mind" with "born before his time."
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
"How could she just suddenly, completely disappear into thin water?"
- The Little Mermaid
http://www.beintheheights.com/katnicole1 (Please click and help me win!)
I chose, and my world was shaken- So what? The choice may have been mistaken,
The choosing was not...
"Every day has the potential to be the greatest day of your life." - Lin-Manuel Miranda
"And when Idina Menzel is singing, I'm always slightly worried that her teeth are going to jump out of her mouth and chase me." - Schmerg_the_Impaler
You're correct, Patash, but what's annoying in "Castle on a Cloud" is that the rhyme scheme changes. It's a-b-b-a in the first stanza, then a-b-c-c- for the others (excluding "lady all in white" B section).
I just bought 'someday' from The Wedding Singer on iTunes, because I needed a Laura Benanti fix, and I have to say the lyrics are pretty god-awful.
EDIT - these are the lyrics
I know not every marriage Lasts when things go bad I’ve seen the warning signs I call them “Mom” and “Dad” But soon you’ll take my hand And pledge your love to me Till then I’ll just get married vicariously
"As we all should probably have learned by now, to be a Stephen Sondheim fan is to have one's heart broken at regular intervals" - Frank Rich
Dearest, how can this be so? You were dead, you know. - Candide
Oh my god, this show has everything! Half naked guys and girl on girl action! - [title of show]
(My avatar? Why, yes! That is Laura Benanti making out with a chick!)
I give a pass to the Popu-ler, Lahr line because I like to think they're paying homage to Bert Lahr there. A stretch perhaps, but it gets me through...
I hate any rhyme where a singular word is paired with another word that WOULD rhyme - if it wasn't plural. I can't think of any specific examples right now, but an example would be if someone tried to rhyme: "head" with "beds"
I'm an unashamed Frank Wildhorn fan, and my favourite work of his is 'The Civil War', but that doesn't mean I don't find the lyrics utterly hilarious at times. Observe these opening lyrics from the song 'Judgement Day'. This song is up-tempo, almost upbeat, and I laugh every time I hear it.
"And sometimes it's too much to bear The dead and dying everywhere And every day for me is judgement day Every day for me is judgement day
I sit among my charts and maps And hear the lonely call of Taps Like the wind across the moon"
It proceeds to burble on about sending boys out to die, killing floors, bloody sounds of war, all to an almost perky melody. It's *just* dignified enough that the song isn't completely ridiculous, but it's still uptempo enough that it seems a bizarre juxtaposition with such doom 'n' gloom lyrics.
I'm also a big fan of the Australian musical 'Paris', about the siege of Troy, purely because of the way they manage to stretch the word "Aphrodite" out to five syllables in one song. That takes some doing! XD
EDIT: ohhh, and I completely forgot about the song 'Missing You (My Bill)', also from 'The Civil War'! With such choice segments as:
"I learned to chop a tree today I laughed so hard I cried And Billy helped and scraped his knee But he took it all in stride"
and
"The parlour roof still leaks a bit Where the gable meets the eave You always meant to get to it But I know you had to leave"
How can we not consider this song a comedy classic? And Deana Carter just sounds so goshdarn EARNEST as she sings it!
suicidalmickeymouse, what do you mean by "What's that supposed to mean?" The lyrics are pretty straightforward. "For" is mean to rhyme with "anymore" in the next line "And none of it seems to matter anymore." It might not be Schwartz best work, but I don't see anything wrong with it.
I have to agree with the OP, some of Spring Awakening's lyrics sound pretty but just don't rhyme.
So the worst song I have EVER heard in a show is from a 1960's flop called "Kelly", called "Ode To The Brooklyn Bridge. I can't find the lyrics because it's really obscure, and I'm not listening to it again to find them out. I know some lyrics that make me cringe in songs I like, but I can't remember any right now.
"There are only two worthwhile things to leave behind when we depart this world of ours: children and art."
-Sunday In The Park With George
"it was so easy to make it rhyme...but they did not."
They didn't on purpose. I can't remember where but there's an interview with Herbert K. (or someone..?) and he talks specifically about that lyric. I think it's beautiful that it doesn't rhyme, with or without having the explanation to put it in perspective.
TooDarnHot- Wildhorn does NOT write lyrics. People dislike his SHOWS and his collaborators. Those who dislike HIS work are disliking the music.
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
Boy, this itches. Wonder who gave it to me. Probably those lyrics from that musical. Last time I do someone a favor. Oh my God, can people hear me! Ba-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da!
Anyone remember that from Family Guy?
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
There was a terrible one that I remember from "Cry-Baby" (not sure which song) but the final line was something like, "put me in your register under Baby comma Cry". It was the first time I remember literally groaning while watching a show.
A little swash, a bit of buckle - you'll love it more than bread.
From Wicked: "Nessa, uh, Nessa? I've got something to confess- A reason why, well, why I asked you here tonight." I know he's saying "to confess/A reason," but it sounds like he's rhyming Nessa with "confessa," which drives me crazy every time. In Working, the cashier sings "Every time I PLU-it For the flowers or the fruit", with "fruit" pronounced "froo-it"...it drives me nuts! :)
oh, so 600 of those minutes aren't dear? Or is there a difference between moments and minutes? Are moments longer? What's the conversion rate? It bothers me every time that they say 525,000! but I still love the song and the show!
A lot of the lyrics in Rent are pretty tosh - I think one was particularly bad - the "I'll take the call, I hate the fall" one. Oh God. grimace grimace.
and Wicked, dont get me started. I simply cannot stand those witch hunter songs or the "bridges you cross you didnt know you crossed until you crossed."