Profile for quizking101

I remember seeing somewhere on this board that they didn’t invite voters because they were already making maximum profits and didn’t feel a need to comp seats for awards they won’t likely get a nod for, especially since they close on 2/1/26

This is pretty much a fundamentally unchanged production from the original other than a slightly modified set. Unless they are banking on a performance nod for Christine Sherrill and/or Carly Sakalove, it will not make it into any

mar6411 said: "Really quizqueen, crusty bagel, Broadway flash, Philly pinto, etc etc etc

And taking another shot at quizking.

"

Eh. They’re just petty because, under the alias of “Snake Skin”, they slid into my DMs looking to start a podcast with me and I purposely ignored it.

Anywho, I saw this yesterday and, like any good croissant, it’s light, warm, uncomplicated, and quite flaky.

The lion’s share o

Jeffrey Karasarides said: "EDSOSLO858 said: "In a more competitive musical season, I'd bet this would get zero Tony nods. (1 or 2 if the nominating committee were feeling kind?)

All three leads, the lighting design, and revival of a musical seems like a solid expectation for 2026."

Depending on howCatsandThe Rocky Horror Showare both received in the spring, I wouldn’t be surprised to see this one left out for Best M

This season has felt interminable for me, mostly because there are quite a few elements that need a refresh, but also there is no real excitement factor this season for me.

I REALLY need Season 35 to be a super-sized All-Stars season because they are long overdue for one. I also want them to bring back the Judge’s Save, and also change out Carrie Ann and Bruno on the panel with some newer, more stringent judges since they seem to just be scoring on “vibes” this year.&

The show improved quite a bit from the first preview to when I went again last night, though mostly in the sense that it was more tightly run and some of the more jaw-droppingly heinous elements surrounding the aftermath of her daughter’s death were removed.

I think we can be clear that, try as they do/did, the show is not the next great Stephen Schwartz entry into the musical theatre canon. It’s like when Kander, LMM, and Susan Stroman put on New York, New York, and saniti

ACTOR:

- Strong and Lithgow are assured locks.

- Corden got great reviews in an otherwise mixed production and his hallmark is a 12-minute monologue as opposed to the stamina-testing performances of Stock & Harrison. Odds are grim.

- Stock is above the title, and the great reviews for him and LBBR bode well for his chances.

- Will Harrison would need to be petitioned up by MTC since the entire cast is below the title, but I would LOVE

Melissa25 said: “I loved Rachel too. I have very fond memories especially of If You Ever See Me Talking to a Sailor."

Oh, that whole scene was a HOOT. I still listen to that song.

This was one of the first shows I saw in my nascent theatregoing days of my late teens and one of the first that truly affected me in a way I didn’t quite understand at the time because I always felt that musicals were inherently cheery and this one is decidedly not.

gleek4114 said: "On Saturday Oh, Mary had playbills for $100, posters for $200, and a stage used book of sonnets signed by Jane for $500 (she had inscribed it “Maybe I’m Inbred?”."

I bought the book on Sunday - she sold me with the ad-lib “and it was also licked by Cheyenne Jackson”.

In all seriousness, I was actually motivated to buy it after I saw that Broadway Cares put a very sizeable deposit into Vincent Jamal Hooper’s