Profile for quizking101

So…she’s having a manufactured spat with Jeanette. I honestly wonder what Kecia thinks about Yolanda Adams taking over the role or what would’ve happened if Yolanda posted a video like this? It’s all so bizarre.

I can respect the fact that Ms. Lewis has really put in work to get where she is and finally got some long overdue respect with her Tony Award, but much in the way we roll our eyes when Patti gets pissy, I think it’s come to a point where we&rsquo

Dolly80 said: "kdogg36 said: "Dolly80 said: "I imagine this would be a security nightmare having Zegler on a balcony - open to all the crazies with guns in the states. Cannot see this happening."

I don't know if this discussion is on-topic on this thread, but I've never quite understood this line of thought. New York City is not really a dangerous place in general. Famous people are out in public all the time, in places that stalkers cou

I was there tonight. Fool me once, shame on you. Fool me twice, shame on me.

This was one of the most comedically inert nights of theatre I have ever had and it’s a damn shame considering the comedic talent on board. I laughed exactly twice - once at an extended joke about an unfortunate math teacher by Jon Stewart, and an extended story about Paul Revere’s horse done by Eric Andre. Everything else felt like a bunch of children’s stories sometimes given a PG-13 ki

I pose the question to the righteous of the thread. 

Since Scott Rudin is one of the lead producers on THE BOOK OF MORMON, should that show then close down because of his toxic behaviors? By extension, everyone working on a production of BoM is choosing career and art over “colleague's ability to have a safe workplace”

I don’t think there really should be a double standard where you condemn Metcalf (who already has her next gig lined up) &nbs

I went last night and I’m kinda glad I’m not alone in a lot of the feelings and sentiments I had about this play.

- This felt like the staging of a movie. It had all the cinematic flair pushed into the confines of the stage which, while admirable, was very hit or miss from me.

- Hanks is affable and, from afar and in a somewhat questionable wig, does appear young enough to be courting Kelli’s character (they are 20 years apart in age). If anything, I was happy

I didn’t see this revival (I was 2 years old), but I did recently see a much more queered-up revival at Signature Theatre in DC last year with Kuhoo Verma and Cameron Loyal and I remember having an absolute blast. 

I’m just wondering who would be the best option for a director and cast that could nail down classic musical comedy. I would think Nicholaw or Timbers for direction, and (maybe as a dream) Alex Brightman or  as Pseudolus, Michael Urie as Hysterium, Rich

TotallyEffed said: "Ensemble1711444445 said: "So if you had to guess...if you put 100k in each Seaview Broadway show would you be rich, broke or break even?"


You’d be rich but have 100K missing from your bank account."

This was an A+ joke. 

But do you think Seaview is doing the Rudin model of getting high profile guaranteed moneymakers on board, then using gains from those to finance new works - but just abso

Auggie27 said: "More than a little shocked and dismayed by this. But January looms large as a black hole for Broadway this year. Little Bear and Liberation have both struggled, Liberation even more, making it harder than ever for new plays to find audiences. And both of these had stunning receptions. Are starry revivals of the canon warhorses the only successes? It's frightening."

I honestly am pissed that this is closing. I found this

abcd12 said: "And as for OH, MARY, Emmy nominee &Tony winner Jane Krakowski, Emmy nominee Titus Burgess, two-time RDPR winner Jinkx Monsoon, and Emmy & Golden Globe nominee Betty Gilplin aren’t considered “stars”…?



Ok."

Not to mention Oscar and Emmy  nominee Kumail Nanjiani, Emmy nominee Michael Urie, Tony nominee Conrad Ricamora, and Tony nominee John-Andrew Morrison, with Tony Award Winner John Cameron Mi

GirlFromOz68 said: "quizking101 said:
The marketing quandary the show will have going forth is that “One Night In Bangkok” is the most overtly sexual, yet most well-known song from the show. I wouldn’t even call this performance censored so much as absolutely castrated. The choreography was toned down and far less suggestive, and Aaron barely moved since he was singing into a microphone. I’m thinking they need to save this song for any late night perf