Profile for DiscoCrows

Went back again today for the matinee and still really like it. It’s a very flawed piece but I kind of like that the production has embraced that on the basis that it’s too late to really make it work on Broadway. The music is so fun and pretty but irrevocably unsustainable — Eden is great in the role but both times I’ve been it has sounded as though she is really, really pushing herself to her limits. I am so excited to listen to the OBCR where it’s hopefully a

I think, in a very generalized sense, the days of "pack it up — little nominations/awards, we're closing tomorrow" are over — and for the better. It makes the industry look wildly more unsustainable than it actually is. Obviously money talks and will be the final factor (see Paradise Square and KPOP which closed <7 days), but for Lempicka or Heart to post a notice the day of Tony nominations if they can help it, unless there is literally no

ErmengardeStopSniveling said: "There are many reasons why someone might not proceed with a Broadway production after doing the pre-Bway run (be it the choice of the actor or the choice of the creative team).

I don't believe Soo has posted a word about SUFFS on social since it was announced for Broadway, and I don't believe she was in the workshop last year (correct me on both points if I'm wrong). Not that that necessarily means anything, but you may read into

I saw this last night after having really enjoyed it at The Public and echo the sentiments that it's great. It feels like Suffs 1.5 — that is to say, they have done so much work on it and I highly encourage those who had reservations two years ago to check out the new version.

I think the criticisms I'm seeing are slightly wavering (though not invalid, of course). I saw someone earlier in this thread mention that Act 1 was very focused whe

Today’s matinee performance (4/13) featured Jisel Soleil Ayon as Mary Clarke instead of Ciara Renée. Apparently it was the first call-out this production (did she perform this evening?) but I thought Jisel tore the house down.

It’s a fantastic show. Some tightening and even restaging could make it better (it felt a bit too spaced out across such a large stage for a show without major dance numbers I felt) but echoing the sentiments that the score is stellar and i

Am I the only one partial to the Broadway set? I haven’t and won’t get to see the tour unfortunately but I absolutely loved the spiral staircases and spinning wall sections on the turntable. Tired of seeing just …. turntables these days and I appreciated that this was such a new take on it that did more than just move actors. The wireframe, gritty and worn feel of the stairs, portals, walls and larger set structure was really pretty and did a lot of thematic heavywork

HunterK said: "binau said: "Record and release in 10 days???? That’s pretty unusually fast."

It’s a goal of the producers. But I’m thinking first week of April. They wanted a surprise for fans on opening."

For what it’s worth … Kevin McCollum is the same producer who opted to have SIX’s opening night cast recording produced and that seemed to generate some good buzz. Idk anything about this but I&rsqu