Profile for bwayobsessed

binau said: "Is the "MotoMoto Presents: NIGHTS IN MOMBASA."album essentially an EP of some of the songs from this show?"

Yes

Imagining the design of the finale with more money is enough for me to want them to write the checks now

I saw it last night and I loved it. The energy is amazing. I’d say the first 45 minutes or so and the ending are perfection. The middle could use a bit of tightening. Amber Iman is a literal goddess and deserves her mid show ovation. I hope it transfers (with a little work). 

I saw it last week and really liked it. It took a bit for me to get into it but once it got me I was in.

Probably in the minority but …. Lempicka 

ErmengardeStopSniveling said: "OuttaTowner said: "I suppose the crystal ball could be Big.
The plot is kicked into gear when the boy visits the Zoltar fortune telling machine."

BIG is a really great, underrated Maltby & Shirescore."

Yes I’d love to see Big in the line up. Everything Susan Lawrence sings is great IMO

WldKingdomHM said: "I wonder if the movie starts off with Glindagoing up the stairs with the grimmerie. It seems she’s in the blue dress during For Good"

 My new thought is her new song “Girl in the bubble” happens later than I’d originally guessed-after For good. While she’s getting ready to tell Oz bout Elphie’s death. Putting on the crown, revisiting the attic where they sang defying gravity, etc 

I think some people here should work on their abilities to make an apology 

MHE needs Helen onstage IMO. In I think a discord group someone posted something that made it look like they were doing Rainy Day We Met. 
 

DBH I think should be a brief If you want perfection into Alive Forever 


OM I think should do Making a Man cuz for me it’s the bop of the show. 

I liked seeing this a lot. I don’t think I like the show itself but it is pretty fascinating. And I really like the way they’ve chose to stage this-minimal but with specific interesting choices that elevate the action. I think I’m now rooting for Jeremy to win.

Fordham2015 said: "As with the show itself, the album is at its best at the end- the strip and Rose's Turn are sublime"

Cutting the text of The Strip really hurts its impact IMO.

 

(ps go Rams!)

Bwaygurl2 said: "The rumored musical revivals for next year are Chess, Ragtime, and Fiddler. I don't see her in these, so maybe it's a play? If course some other musical could be revived or she could go into Cabaret or Chicago but I don't see her replacing."

Interestingly recently I was thinking about who I’d liked to see in a Ragtime movie and I thought of Anne for Mother. I don’t think she could do it live tho

I saw Buena Vista this week. I saw Natalie’s understudy so maybe I can’t say with 100% certainty but I was more impacted by Isa Antonetti’s act 2 number than anything from older Omara

I want to buy tix but the ticketing website is so bad it won’t load. Anyone else experience this?

ErmengardeStopSniveling said: "shows that have featured "Let's Be Bad" -- 2

shows that have featured "Lexington & 52nd Street" -- 0"

Seems like the DiMaggio plot is significantly trimmed considering it was one of the main plots on Tv

I feel like Caroline (while amazing vocally) is having a harder time matching her predecessors—especially in Just keep moving the Line.