Profile for Jumpin_J

Lea Michelle has all but confirmed she's in it, likely as Florence. From 2023. 
https://www.queerty.com/lea-michelles-next-move-and-guess-who-bernadette-peters-replaced-20230603

Amy Archer said: "And you all scoffed at me! With 12 weeks, they have 800 seats on the floor they can price exorbitantly, plus another 550 in the mezz to play around with, depending on demand. It can potentially gross more than $2M a week there. I think the producer of GGR, who shall go nameless, looked at what is happening with Good Night, and Good Luck, and decided to try to emulate the same, even bringing capacity to a similarly sized 1400 seats by closing the balcony."

Why should the producer go nameless? It's public record. It's Jeffrey Richards. He produces ALL of Mamet's plays. It's on IBDB.COM https://www.ibdb.com/broadway-production/glengarry-glen-ross-541094

RippedMan said: "I mean can’t they just redesign be set for any space? I don’t think that dictates which theater too much. I think they think Mendel will sell tickets. Which has proven to do."

Proven? Citations needed. "If/Then" flopped and the play "Skin Tight" at the Roundabout bombed. In the words of Janet Jackson, what have you done for me lately?

Doesn't matter, she's cooked. Everyone knows it. Time to focus on other things. 

She claims this was a "mistake", Honey, you posed with Russel Brand (Trump supporter and accused of sexual misconduct) and a MAGA hat. You're not that good of an actress to pull that off. 

ErmengardeStopSniveling said: "Per Michael Schulman of The New Yorker, STEREOPHONIC has been hit with a lawsuit by Ken Caillat& Steven Stiefel, who wrote the book MAKING RUMOURS, about the recording sessions for Fleetwood Mac's "Rumours." Caillat was the engineer of that recording and the book is told from his perspective. Some aspects of STEREOPHONIC beara striking resemblance to what's chronicled in the book, despite being about a fictional band.

Caillat & Stiefelare suing David Adjmi and the producers"for their flagrant and willful infringement of Plaintiffs' copyrighted work," saying that the play"uncannily duplicates"sequences of events depicted in the book. David Adjmi has downplayed the similarities:“When writing Stereophonic I drew from multiple sources—including autobiographical details from my own life—to create a deeply personal work of fiction. Any similarities to Ken Caillat’s excellent book are unintentional.”

The Schulman articlenotes a few glaring similarities, andsince Adjmi acknowledges having read the book, there may be a case here. Perhaps there'll be some kind of quiet financial settlement/profit-sharing agreement to make this go away.

https://www.newyorker.com/magazine/2024/09/30/the-roots-of-the-tony-winning-stereophonic"

After trying to watch this and leaving at intermission, my immediate response is this was the worst version of "Fleetwood Mac: Behind The Music" ever. The egos, the drugs, people sleeping with each other, but with worse writing and forgettable music. I thought maybe the members of Fleetwood Mac would sue the writers for not obtaining the life rights. For the author saying this isn't based on Fleetwood Mac is laughable.