Great for MTC. The Friedman seems like an odd house for this, though. Other than Prince of Broadway, I can't remember a true musical in there for a long long time...
BMcGregor said: "Great for MTC. The Friedman seems like an odd house for this, though. Other than Prince of Broadway, I can't remember a true musical in there for a long long time..."
Ten musicals have played the Friedman/Biltmore throughout history, including the original runs of Hair and Robber Bridegroom, Prince of Broadway, and Hal Prince's LoveMusik.
It's more a matter of MTC not usually producing musicals on Broadway without sizeable commercial enhancement, which they have here.
Considering the limited commercial ceiling for Sondheim, Peters, and Salonga, this seems like a win-win for both MTC (who will no doubt fill the houses) and Cameron Mackintosh (who can mount it in New York and be Tony-eligible for less than the cost of a traditional commercial production). It's something of a homecoming, too, since Putting It Together also played MTC.
This is a win/win. It would sell dismally in a commercial setting, but will work better with a subscription model. When I saw it in London, my first reaction was “This has Roundabout written all over it.” Close enough I guess!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
BroadwayNYC2 said: "“This has Roundabout written all over it.” Close enough I guess!"
If only roundabout had money.
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BMcGregor said: "Other than Prince of Broadway, I can't remember a true musical in there for a long long time..."
But by that same token, this is on-brand in the sense that it's an intuitive follow-up to Prince of Broadway. I'm not sure why MTC would choose "revues based on the works of musical theatre giants of the 2nd half of the 20th century" to be their specific niche when it comes to programming musicals, but at least there's a certain internal consistency to it lol
Theatrefanboy1 said: "I’m curious who they fill the cast out with. Anyone have any speculations?"
We've had so many retrospectives of Sondheim's work that I'd be thrilled if the majority of the people cast had never been in a Sondheim show in New York before and aren't typically associated with his work. That would be much much more interesting to me than people like Norm Lewis, Karen Ziemba, Liz Callaway, Santino Fontana, Melissa Errico, etc. Be daring. But CamMack is not daring these days so I'll manage expectations...
I wonder if they will try to mine Broadway names from recent Sondheim revivals to fill out the cast. (I do think Cameron will try and get Broadway folk associated with Sondheim). Stephanie J Block, Brian d'Arcy James, Montego Glover, Claybourne Elder, Christopher Fitzgerald, Victor Garber, Nikki Renee Daniels, Linda Lavin, Erin Davie, Gavin Creel, Phillip Boykin, Alexander Gemignani, Santino Fontana, Norm Lewis.
I think these are the type of names we are looking at for other key roles.
I expect this will do good solid business for its 10(ish) week long MTC run, selling due to the subscriber base + Bernadette. It won't sell at MARY JANE numbers, but it will do fine for MTC.
If it were a commercial production or a longer run, it would be a different story.
By the nature of it being Sondheim songs + Bernadette, I expect it will sell a bit better than the concept of Prince of Broadway (scenes from Hal Prince shows)
I think it 100% has to do with what casting we get. HLL did get a good uptick when Lea was in it, but that was also a Filipino story and the same people may not be as interested in seeing a Sondheim revue. Even Here We Are wasn't completely sold out and the Sondheim revivals are mostly doing well based on casting, but I do think it's a good get for MTC to include it in their season.
The problem with London is that no one knew who Bernadette was. I'm sure it'll do just fine - no issues for people getting tickets of course but I wouldn't expect to see the 'half empty houses, la, la, la' that we saw in London.
I kind of wish they would bring the real heavy hitting Sondheim Alumni back - Patti, Donna, Raul, maybe Sutton now I guess etc. to make it a true event but I'm guessing if they're already (and only) announcing Bernadette & Lea it doesn't sound like this is the direction they are going..
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
If his tv shooting schedule allows, would love to see Skylar Astin take part in this. I understand he was very well received at the Sondheim celebration at the Hollywood Bowl last year.