Profile for CPB2

Anakela said: "Can you just post them for sale on both, and then delete the listing on the site with the higher markup/fees?"

I'm pretty sure Ticketmaster fees are higher across the board, but it has some advantages. For the seller, good placement and visibility on the official seat map on the official ticketing website. For the buyer, guaranteed legitimacy as the old barcodes are cancelled and new ones issued. StubHub's protection is generally well rega

BrodyFosse123 said: "They will obviously mark-up the tickets to the market value regardless what you sell it to them for.

That's not how it works. You don't sell it to "them". (Unless you're referring to low priced tickets being grabbed by someone for resale, which is a possibility.)

Stubhub used to be a flat 15% fee for the seller, 10% for the buyer. Now it's a little more mixed up, the seller pays a little less and the buyer pays mor

EPDD1000 said: "So the entire song with Cady and Aaron in the bedroom after "Whose House is This" is cut too then?

Also, I saw the show post-puppet... what was the use of the puppet in the show!?"

The bedroom scene is still there and is one of the best in the show IMO. There was a different scene where Cady visits Aaron's house for tutoring, and this is where she learns that he's lying about his address to get into the school dis

Saw it again last night, and compared to the first preview, they've made many changes, almost all for the better. The opening number has been largely restructured, although it still takes the same form as a future assembly for new students. As others have mentioned, the scene at Aaron's apartment has been dropped in favor of moving that exposition to a few lines in other scenes. Almost every song has been trimmed down (other than Stupid With Love, which I think has expanded).

G

BroadwayNYC2 said: "Cliques will always be relevant. Just human nature to be friends with people with similar interests to you. There hasn't been some radical transformation since 2004 that everyone holds hands and skips down the hallways together."

I agree with all of that. I just think social media popularity and extension of self is a lot more central and relevant now than shown here, in ways that subvert the social hierarchy a bit (of course there still is on

I also agree with that review the most out of the ones I've read, but I still have one more issue that hasn't been much discussed: I don't think being set in the present day makes sense. Peitzman says, "it would be nice to see the show reckon with these [bullying] dynamics in a sharper, more culturally current way." The social media stuff is handled deftly, but my impression of the high school experience these days (feel free to correct me if I'm wrong, high schooler

MarkBearSF said: "dianamorales said: "Take A Break from Hamilton references the whole play, including act 3 (Burnham Wood to Dunsinane), if that works...."

I've always thought those lines were a clever way of avoiding the Macbeth curse."

It sets up that way, then he goes and just says Macbeth in the next line. Works great as a joke, and the show seems to have done allright despite the curse. It's pretty downhill for the chara