Apr 26, 2010 — 5:28:03 PM
I really disagree with some of you who have been attacking "Promises, Promises." Critical reviews or not, it's hands down the most deserving of the Tony for Best Revival. Hands down. I was amazed that a show that is so specific to the 1960's could feel so effortlessly relevant to the present time. As critical as I usually am about Broadway shows, I have to say that every production and directorial decision was perfect. And I'd go so far as to say that I can no longer imagine anyone else in th...