THE MUSIC MAN Reviews
t won’t be a surprise to audiences familiar with director Jerry Zaks’s other recent Broadway revival, the ebullient Hello, Dolly!, that there’s little interest here in wholesale reinvention. Unlike, say, Daniel Fish’s 2019 production of Oklahoma!, which dove into that classic musical’s unplumbed darkness, Zaks’s take on The Music Man doesn’t make any move to subvert the show’s ultimate warm embrace of community or wholesome optimism.But it’s also, surprisingly, not so tradit...
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