Profile for tinmanic

RaisedOnMusicals said: "So I don't think I'm seeing this until late September, but the comments in this thread of those who have seen it seem to boil down, for the most part, into two categories. The first consists of those who absolutely loved it, full stop. The second are those who have issues with elements of the show, primarily the score, point out their criticisms but at the end say that they found it incredibly entertaining in spite of their criticisms.
M

I've already said upthread that I didn't like the show - admittedly a lot of that is because the movie is incredibly dear to my heart and I feel like they ruined it. But also, I never really understand why people get enamored of special effects.

Obviously special effects require their own type of artistry and skill, and hats off to the people who can do it well. But to me they're secondary to the artistry and skill of the music and lyrics and book, and good special effe

Back to the Future is my all-time favorite movie. I'm also a veteran NYC theatergoer. What happens when these two interests collide...?

I saw it last night and it was not good. It seemed like a parody of a screen-to-stage musical. If the TV show "30 Rock" had an episode that included excerpts from an imaginary Back to the Future musical, this is what it would be like.

The best thing about it was Hugh Coles, who does a dead-on recreation of Crispin Glover's movi

I saw this on Sunday knowing very little about the show beyond the premise, and... I thought it was fine? The performances were very funny, although I thought Katie Finneran was a bit too monotonously high-strung and one-note - and I usually love her onstage.

I'm not sure who the play is for, though. It basically makes fun of political correctness - but hasn't that concept been done to death? Is there anyone who's really as extremely politically correct in real life as