Profile for Springley

I do know from an interview video with John Kander from the Legacy Project that he uses Finale, and I believe he says it is the industry standard. Although I imagine it doesn't really matter, it is all about individual preference.

Georgio in Passion

For SRO, are you restricted to one ticket per person? Or could you get two? I know the general rush is one per person.

Hey guys. Does anyone know what the original Tunick instrumentation of Pacific Overtures was? I didnt find anything in a Google search. I'd really appreciate it. Thanks

Has anyone looked into the new shows premiering at NYMF this year? It's an eclectic year (isn't it always?) http://www.nymf.org/Story-634.html The show I'm looking most forward to is Baby Case. Having seen it in Philadelphia years ago, I know it is such an interesting and well written show, and I can only imagine how its improved since then. The score is very Ragtime-y in style, and the story is reminiscent of Chicago, but with a completely true story. I've also got my eyes on Foreverman. Hav...

I saw Jeremy Kushnier as Judas and Tom Hewitt's understudy last night, and they both did an incredible job. Seeing both Josh Young and Jeremy near the front of the orchestra, I actually did prefer Jeremy's voice and acting, and although it seems that the hard score is giving them both a little trouble, Jeremy does more vocally with a little more ease. And Pilate's understudy had a great voice and good acting, albeit a little stiff at times. Maybe it was because I was somewhat unfamiliar with ...