Do we really need a revival of South Pacific? Yes, it's a great score but everybody has seen the movie and at least one or two productions of it...
"It does what a musical is supposed to do; it takes you to another world. And it gives you a little tune to carry in your head. Something to take you away from the dreary horrors of the real world. A little something for when you're feeling blue. You know?"
The real island SOUTH PACIFIC takes place on is Espuritu Santo off Tahiti. That's where James Michner was stationed and where he found his inspiration for the characters. On the beach there, you can actually see the tin house used by the real "Bloody Mary" as a brothel.
The people on that and other islands in that region aren't really Polynesian. They are Tonkinese. They have much darker skin than Polynesians, so the casting of African American in the roles is actually appropriate.
The other reason the roles of Mary and Liat are often cast black, is that in this day and age, it's a little more understandable for the audience to see Nellie's racism when its directed towards a race of a very obviously different skin color. Partially because so many service men returned home with Asian brides after WWII - the taboo of a white man married to a Polynesian woman has largely disappeared, while mixed black/white couples are still heavily discriminated against.
Tonkinese Couple on Espuirtu Santo Island in the South Pacific.
"Yes, it's a great score but everybody has seen the movie and at least one or two productions of it..."
maybe YOU have been lucky enough to have seen one or two productions of it, but there are many people who have never had a chance to see this work outside of the movie. I am one of them. I am looking forward to seeing this on stage. I have no idea who is right to cast though, so I have no opinion on that.
"My dreams, watching me said, one to the other...this life has let us down."
Actually, the person who played Bloody Mary the most over the years wasn't black at all - she was a short, chubby, Jewish lady named Sylvia Syms (the cabaret singer, not the British actress). She did it on tour and in regional productions for many, many years - and it is a toss up as to who appeared the most in the role - Sylvia or Juanita Hall, who created the part on Broadway. Sylvia was more fun than any woman who has ever lived...EVEN when she was sometimes a pain in the butt.
For the role of Emile, there is a whole slew of former Javerts and Beasts to choose from - tall, handsome, middle-aged baritones - Terrence Mann, Jeff McCarthy, etc. What about Tom Hewitt? Or how about Martin Vidnovic?
That production at the Dallas Theatre Center which was rumored for a Broadway transfer about six years ago actually cast made a choice of casting an Emile who was NOT a tall, dashing romantic figure, and it was an inspired choice. I mean what 22 year old wouldn't still find George Cloony irresistable?
Emile's struggle is more pointed when you really see his insecurity over "keeping" a young, attractive nurse romantically interested.