Concerning INTO THE WOODS:
I always thought Sondheim's lyrics for that show were among his worst. The penchant he has for cleverness is overindulged, resulting in lyrics that are so dense with rhyme and inner rhyme and wordplay that I can't concentrate on what's being said.
Also, most of them are constricted by the farcical book, and so don't carry much emotion - when Sondheim is allowed to let go, the work is brilliant, of course ('No One Is Alone', 'No More', 'Children Will Listen', etc. - although even most of these are badly didactic)
That's my opinion, anyway.
Granted, Sondheim's best lyrics are among the best in a musical: SWEENEY TODD. They carry the story, they flow beautifully, and they're fat with heartwretch - so much so that you actually get something new every time you listen.
(ex. On my last listen, I was struck by this: by the time Mrs. Lovett finally comes right out and says to Todd "I love you!", she's practically screaming it, trying to justify why she never told him his wife, and the whole reason for his being, was still alive. TAKE THAT, MUSICAL CONVENTIONS!
And of course, 'City on Fire' is one of the most brilliant lyric pieces ever.)
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
Updated On: 9/17/08 at 12:00 AM