#26
Posted: 5/9/05 at 12:15am
I loved Baby at Papermill, except the lispy Lizzie.
BobbyBubby, Robert Darling... — Page 2
#27
Posted: 5/9/05 at 11:39am
Do you not find La Carmello a bit, um, I don't know, strident?
Nothing precious, plain to see, don't make a fuss over me. Not loud, not soft, but somewhere inbetween. Say sorry, just let it be the word you mean.
#28
Posted: 5/9/05 at 11:51am
Sometimes, yes...but when the woman belts those high notes, I'd take her over Idina or any of her clones any day.
#29
Posted: 5/9/05 at 12:07pm
It's her belt that bothers me though. Admittedly not all the time, but sometimes it just seems so uncalled for. Like at the end of Anytime (I Am There), for example.
Nothing precious, plain to see, don't make a fuss over me. Not loud, not soft, but somewhere inbetween. Say sorry, just let it be the word you mean.
#30
Posted: 5/9/05 at 12:52pm
Her end of Anytime ( I am There) is brilliant. THe ears adjust, or at least mine did, after repeat listenings.
#31
Posted: 5/9/05 at 12:54pm
Bobby, you've never see Poppy's "rictus stare o' death" when confronted with strident belts...
#32
Posted: 5/9/05 at 1:13pm
That particular belt wasn't strident, dear. It was downright shocking 
And my ears haven't adjusted to the end of Anytime. Especially after hearing Lauren Kennedy sing it last year.
And my ears haven't adjusted to the end of Anytime. Especially after hearing Lauren Kennedy sing it last year.
Nothing precious, plain to see, don't make a fuss over me. Not loud, not soft, but somewhere inbetween. Say sorry, just let it be the word you mean.
#33
Posted: 5/9/05 at 1:14pm
Wait, you don't like screechy but you liked Lauren Kennedy?
I'm boggling over that one.
I'm boggling over that one.
#34
Posted: 5/9/05 at 1:22pm
She wasn't screechy. At all.
Nothing precious, plain to see, don't make a fuss over me. Not loud, not soft, but somewhere inbetween. Say sorry, just let it be the word you mean.
#35
Posted: 5/9/05 at 1:26pm
I'm staging death matches in Shubert Alley and Carmello is totally going to rip Kennedy's head off.
#36
Posted: 5/9/05 at 1:39pm
Lee-lee's got the teeth for it, I'll tell ya that much.
#37
Posted: 5/9/05 at 1:41pm
Kennedy and the tones she stole from Liz Callaway are going down!
#40
Posted: 5/9/05 at 1:52pm
lol. I think Ann Hampton has a wonderful voice. Certainly it's capable of more colors than Liz, but it's hard not to be wowed by that little Lizzie.
#41
Posted: 5/9/05 at 2:00pm
Well she did write the theme song for The Nanny. So she can't be all that bad.
#43
Posted: 5/9/05 at 2:09pm
She did? I thought McDaniel wrote that?
#44
Posted: 5/9/05 at 2:19pm
oops. I could be wrong, but didn't Ann Hampton sing it?
#45
Posted: 5/9/05 at 2:21pm
I think she sang it, and the gay ass clown wrote it.
#46
Posted: 5/9/05 at 2:26pm
he should so write a musical. And Rosie should produce it.
#48
Posted: 5/10/05 at 7:55am
Just bumping this to point out that I am a total dimwit. It wasn't Lauren Kennedy I saw in the London Elegies, but Lauren Ward.
Nothing precious, plain to see, don't make a fuss over me. Not loud, not soft, but somewhere inbetween. Say sorry, just let it be the word you mean.
#49
Posted: 5/10/05 at 10:52am
AH! I LOVE Lauren Ward.
*whips out the cast album of Violet*
*whips out the cast album of Violet*
#50
Posted: 5/10/05 at 10:57am
Well if you ever get the chance to hear her sing Anytime, you'll understand why I am no longer so keen on Ms Carmello's version. I started crying around "I'll be there on the baseball field, though I'm well concealed I'll be out there cheering." and didn't stop. It was a truly beautiful rendition.
Nothing precious, plain to see, don't make a fuss over me. Not loud, not soft, but somewhere inbetween. Say sorry, just let it be the word you mean.
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