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#1

Expectations

I go to a performing arts school and there is a lot of competitiveness and cattyness(spelling?) and pretty much everything you would expect from a large group of theatre majors who spend a LOT of time together. A lot of the alumni of the school leave behind kind of... I guess legacies, as well as the current upperclassmen, of their accomplishments and whatnot. I feel very much like I need to live up to the standard that most of the upperclassmen set as freshman(getting cast/called back/whatever)

I started the year without many expectations because I was a freshman and we all had a clean slate. I didn't feel any pressure because I didn't know much about the school's audition process and I figured that I would just learn from the experience. I guess it turned out well because I was one of the two freshman cast in the first musical of the year.

The show ended and I felt more confident in my abilities and knowledge of the audition process now that I had been cast once. The next auditions came and I expected it to be better than the first with my new knowledge. Well... It wasn't. I crashed and burned. I feel that it was harder on me than it would have been had I not been cast before because I had expectations of myself. It sucked... alot.

In the theatre department at my school, you work your way up to being noticed by the administration by being involved in shows(mostly being cast) as a freshman those not cast are treated...
like freshman. Those who are earn a smidgen of respect, but just a smidgen.

I felt as if I was doing well toward the beginning and was earning some kind of recognition, but after the bad audition it feels kind of like I dropped down a few rungs on the ladder of "matteringness"(yup matteringness) I now have to work hard to try to climb back up.

It's all so much harder than it looks from the outside, but I love the rush I get when I perform and It all feels like it's worth it to get the chance to grow as much as they say I should.

Anyone else ever had a similar experience?

Questions...Comments...Epiphanies?
HELP?
No one wants to see a musical called Thoroughly Modern Mildred.
#2

re: Expectations

hate to say it... but thats the business. You can go to 100 auditions and get nothing, then you could walk in and get cast the next day. Its a crap shoot. If you do a bad job and mess up then yes, its on you. But, its taken me a long time to realize that you can only do your best... and either your right for the show or your not. You never know what the people behind the desk are thinking.

About the "pressure" of living up to the legacies and precedents of others... i say forget it. One of my good friends (happens to be from school) is currently STARRING, not in the chorus, but starring in the biggest musical on broadway... talk about pressure. If anything it gives you a kick in the ass to make it happen for yourself!

Guess what... the theater department can only help you while your in school, thats it.The theater faculty at my college tried to stress us out about impressing them and that the be-all and end-all was being cast in the mainstage, when we should have focused on networking with our classmates because they are the ones who will be working in the field in the next few years (casting, directing, producing, etc). Some teachers may try to help you outside, and some may direct things outside of school, or "know someone" who can get you an audition, but for the most part, they're ties with you are over once you graduate. Focus your energy more on getting the most out of your classes and don't worry about impressing them or climbing the ladder, that ladder won't help you once your out.

Focus on learning as much as possible, take your auditions (both good and bad) and learn from them!

Hope something in there helps!
#3

re: Expectations

I'll add to that . . .

Take your auditions as "another chance to perform for an audience" or another chance to rehearse . . . and prepare as you would for any show. Then do you best and leave it at that; just plan for the next audition.

When and if you get a call-back or cast, you will be contacted. We should all be so lucky as to have several people call us with callbacks or roles! Anyway, if it is zero or 20, always move forward, not backwards. You've done the audition, did what you did or didn't do . . . now, onto the next audition, callback or rehearsal!

It helps no one, not even you, to beat yourself up or put yourself down. It's all about confidence, flexibility and never, ever say "you're sorry". Well, you can say "sorry" if you sneeze on someone or spill a drink on them or run into them -- but never after, during or before an audition. Just do it! Smile, say "Thank you" and leave; or stay if asked. Gratitude and kindness reflect well, too.

Love and Light,
Angela Theresa

Love and Stage Lights, Angela Theresa
#4

re: Expectations

I can definitely emphathize with this because although my high school isn't a performing arts high school, being cast and getting good parts will get you a TON of recognition, respect, and power in the program (power meaning that the director will do you favors or help you with other auditions or stuff). My junior year, I recieved 2 leadish parts in the big plays of the year. Over the summer, I worked on my technique and my auditions a lot. When the fall play rolled around, I worked very hard on my audition, talked shop with the director, and was hoping for another lead or a good supporting role. My director gave me great compliments on my monologue & talked about how much I had improved. However, when the cast list came out, I had recieved a small walk-on type part. Several people who had been cast before didn't make it at all, and some people who had never been cast got good supporting roles.

It all boils down to who fits the part. I hated telling myself this, and it has been really difficult to overcome my hurt feelings and accept that casting really is a fickle thing. I had so many expectations, and ended up fulfilling none of them. I think this is just something we all as performers should work on.
"The art of Illusion is the art of love; and the art of love is the blood-red heart of the world." - Tony Kushner, "The Illusion"

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