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Hollywood Paradigm Shift?

Hollywood Paradigm Shift?

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Borstalboy
#1Hollywood Paradigm Shift?
Posted: 7/25/13 at 4:53pm


The Blockbuster is Falling Apart


"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.” ~ Muhammad Ali

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zepka102
#2Hollywood Paradigm Shift?
Posted: 7/25/13 at 4:58pm

It WOULD be awesome to see great films again, and not something that has to be part of a franchise.


::bust a move::

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Mister Matt
#2Hollywood Paradigm Shift?
Posted: 7/25/13 at 5:34pm

The pendulum will swing back. It always does.


"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian

Gothampc
#3Hollywood Paradigm Shift?
Posted: 7/25/13 at 6:18pm

Nothing worse than in a bad economy, rich Hollywood types whining that they can't get funding for their projects. Fund your own work if it's so important. Work on the same small scale as Woody Allen if you must.


If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.

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Addison D.
#4Hollywood Paradigm Shift?
Posted: 7/25/13 at 6:19pm

From 'The AV Club' article:

"Not long ago, foreign box office accounted for about 20 percent of a film’s gross; now it accounts for about 80 percent. (According to Obst, China will surpass America as Hollywood’s No. 1 market by 2020.)"

That pendulum is not swinging back any time soon--it represents a fundamental shift in the economics of film-making/distribution.


You think, what do you want? You think, make a decision...

all that jazz Profile Photo
all that jazz
#5Hollywood Paradigm Shift?
Posted: 7/25/13 at 7:00pm

Actually, I agree with Sodonbergh and Spielberg. Also I don't think that anyone who wants to make a decent film should be forced to go down the Indie way, much less respected veterans like the ones mentioned in the article. Hollywood is an American institution and as such it deserves great films.

That article was completely biased. Why did he had to trash Les Mis?

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WhizzerMarvin
#6Hollywood Paradigm Shift?
Posted: 7/25/13 at 7:28pm

The best movie of the year was part of a franchise though: Before Midnight.

Addison is right- it's all about the foreign gross now. It doesn't matter that The Lone Ranger and After Earth were massive bombs here. They will easily both make their money back overseas.

And even though there have been several high profile disasters this summer, the box office receipts have mostly surpassed last year week for week, and I believe June set an all-time record for a monthly gross. (If you don't read boxofficemojo.com every week and are interested in this topic, you should check it out.)




Marie: Don't be in such a hurry about that pretty little chippy in Frisco. Tony: Eh, she's a no chip!
Updated On: 7/25/13 at 07:28 PM

FindingNamo
#7Hollywood Paradigm Shift?
Posted: 7/25/13 at 8:08pm

I just can't take Spielberg complaining about any of this seriously.

Fox after he eats everybody in the henhouse: "Even *I* can't find any chickens!"


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strummergirl
#8Hollywood Paradigm Shift?
Posted: 7/25/13 at 8:29pm

Since many of these major studios green-lit A LOT of projects akin to the movies that failed and do not seem to be stopping (have you checked what is in store for 2015?) judging from the Comic-Con roll-out the backtracking is not going to be immediately. Heck, I remember reading reaction from unnamed industry/Disney people about how badly The Lone Ranger performed and one of them thought they hit a home run in how it was made and thought it just didn't work out. When the audience rejects your movie and more than a few critics question its quality or why Disney would greenlight it in the first place you cannot just wipe yourself off and act like, 'Well, it was still OUR movie'. Disney in particular just appears to be betting on Marvel properties (which has included some nice surprises like Guardians of the Galaxy and Ant-Man even existing) and Pixar, although it seems plagued with sequelitis too, while these expensive, over-budget popcorn passion projects are failing around them.

"The best movie of the year was part of a franchise though: Before Midnight."

This is going to be said by so many critics by the end of the year.

There are still good movies out there but they've been relegated to slow roll-outs in big cities and at repertory theaters and some of those movie theaters need to make compromises. My local art house cinema had to show both Man of Steel and World War Z for a couple of weeks so the theater is able to show the latest Almodovar and Stories We Tell.

The movies that got hurt were the medium-sized adult-oriented movies that were relegated to indie or even pushed the creative people who wanted to make those movies to television. Those movies moved to the indie also really effected the indie scene that has become generic. People can cold-read a 'Sundance movie' a mile away. It still blows my mind that Magic Mike was not considered a home run by a major studio that the whole project was essentially bankrolled by Channing Tatum and Soderbergh.

Updated On: 7/25/13 at 08:29 PM

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WhizzerMarvin
#9Hollywood Paradigm Shift?
Posted: 7/25/13 at 8:56pm

The slow roll-outs can be annoying. Look at Blue Jasmine this weekend. This is a major "little" movie, with big movie stars and directed by one of the most famous and celebrated filmmakers ever. Yet it won't be playing at an AMC for weeks to come. I'll make the trek down to the Angelika to see it, but something as high-profile and anticipated should be getting a much wider release right away.

It's for movies to gross any money when people can't see them.


Marie: Don't be in such a hurry about that pretty little chippy in Frisco. Tony: Eh, she's a no chip!

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PalJoey
#10Hollywood Paradigm Shift?
Posted: 7/25/13 at 10:50pm

Hollywood has been dying every 10 years since talkies came in.


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SNAFU
#11Hollywood Paradigm Shift?
Posted: 7/25/13 at 11:04pm

Hollywood will implode the rise again with a small sleeper hit. I do think the CGI mega run away from the explosion, has reached it's limit. People do end up wanting substance to their entertainment.
Look at the box office draw of The Conjuring has turned in. It has a retro feel and people are flocking to it!


Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!

Roscoe
#12Hollywood Paradigm Shift?
Posted: 7/26/13 at 12:03pm

I don't see that BEFORE MIDNIGHT is a franchise film in the way that the other films are. Yeah, part of an ongoing series, but it certainly didn't set out that way, and it doesn't have the massive pop-culture machines behind it. It is closer to Truffaut's Doinel films -- just occasional films that happen to focus on the same character(s).


"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/

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Jungle Red
#13Hollywood Paradigm Shift?
Posted: 7/26/13 at 12:19pm

I would love for Hollywood to give us the amount of tickets sold instead of the amount of money each film makes. I think its very misleading.

Unknown User
#14Hollywood Paradigm Shift?
Posted: 7/26/13 at 12:33pm

Hollywood Paradigm Shift?

Those "Before Dawn/ Until Midnight/ After 4:30 This Afternoon" movies where that smelly looking couple yap all night are UNENDURABLE. Bring back Ma & Pa Kettle!

Updated On: 7/26/13 at 12:33 PM

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StageManager2
#15Hollywood Paradigm Shift?
Posted: 7/26/13 at 1:12pm

According to Obst, China will surpass America as Hollywood’s No. 1 market by 2020."

What does that even mean? Will future Hollywood movies be Chinese-oriented in plot and characters? Will the studios/industry relocate to China?


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Jungle Red
#16Hollywood Paradigm Shift?
Posted: 7/26/13 at 2:39pm

That just means that Hollywood will receive most of its profits from China.

Hollywood has always been about making money and they'll do whatever it takes to appease its biggest customer base. That depends on if Hollywood gives into China's demands. Read up on Despicable Me and its sequel. Both movies did not open in China due to whatever restrictions the Chinese government puts on its movies.


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