Damn... The pillowman at a high school? How are you pulling that off?
We ended up finding that the stories didn't necesserily need to be fully acted out with props, blood and all. We used suggestive lighting, neutral masks, and stylized movement which ended up working out just as well, if not better. The stylized movement worked to move the audience's imagination in the same way as reading a good story. Plenty of gasps and stifled screams. The roles of the Mother and Father were played by Tupolski and Ariel and Michal played the Writer's Brother as well, which kind of worked out perfectly in the long run. The neutral mask worn by the characters was slipped on while Michal was strangled, so as he died he, in a sense, became a character. And of course, in the end when Katurian pulls off the execution mask he wore a neutral mask underneath, from which blood poured out underneath and out form the eye sockets. That really made people sick.
I tell the story of our production in order to suggest thinking about this scene in a less realistic, though possibly more impactful way.
"I am ready to disclaim my opinion, even of yesterday, even of 10 minutes ago, because all opinions are relative. One lives in a field of influences, one is influenced by everyone one meets, everything is an exchange of influences, all opinions are derivative. Once you deal a new deck of cards, you've got a new deck of cards."
— Peter Brook