An Open Letter to Broadway From Marlee Matlin- Page 2
An Open Letter to Broadway From Marlee Matlin
An Open Letter to Broadway From Marlee Matlin#25
Posted: 1/14/16 at 12:19pm
Will this PC nonsense ever end?! If people chose not to hear, then they should understand that Broadway caters to the hearing. Jeesh!
Broadway Legend Joined: 5/28/05
An Open Letter to Broadway From Marlee Matlin#26
Posted: 1/14/16 at 2:39pm
I am totally in favor of supertitles for every show. I hardly think they would be distracting, I'm not sure how well that works for those sitting in orchestra level seating though. I think it would be very difficult for a single interpreter to sign an entire show, or even an act at a time, especially if it is a musical. Too often many things are being said or sung all at once by multiple characters. I think it would be rather difficult to keep up. In any case, I would like to see theatre to become as accessible as possible to as many different people as possible. With so many wonderful advances in technology, I hope to see better results in the future.
Broadway Star Joined: 10/29/14
An Open Letter to Broadway From Marlee Matlin#28
Posted: 1/14/16 at 5:19pm
I am not in favor of any supertitles above the stage. I think those would be incredibly distracting. Something like what the Met does seems like a good idea, especially if it was something portable that could be added to the back of a seat as needed. I was at a performance of Sylvia where they had this machine to the side of the stage. It was mildly distracting but not too bad. I wonder how I would have felt if I'd been seeing the show for the first time/had it been a better or more engaging show. I feel like it was programmed with the script because it didn't always follow what the actors were saying. An interpreter doesn't seem very feasible/practical.
An Open Letter to Broadway From Marlee Matlin#29
Posted: 1/14/16 at 11:31pm
jimmycurry01 said: "I am totally in favor of supertitles for every show. I hardly think they would be distracting, I'm not sure how well that works for those sitting in orchestra level seating though. I think it would be very difficult for a single interpreter to sign an entire show, or even an act at a time, especially if it is a musical. Too often many things are being said or sung all at once by multiple characters. I think it would be rather difficult to keep up. In any case, I would like to see theatre to become as accessible as possible to as many different people as possible. With so many wonderful advances in technology, I hope to see better results in the future.
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I've never seen a performance with one interpreter. There are usually 2-3. I don't think it would be feasible to pay interpreters to be at every performance, but I do think there should be more scheduled performances with interpreters.
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