Personally, I don't see how anyone who has been as universally successful as Lloyd Webber could be described as "lame". Should Woman in White recoup, that would make three decades of successful musicals for this man. How is that "lame"? While I believe JCS, Evita and Sunset Boulevard to be his most well-constructed musicals, my personal favorite will always be Aspects of Love. I just think it was his most mature score and while it will never be a commercial success, it is artistically my favorite Lloyd Webber piece. I think it would work better as a small chamber musical with minimal sets, cast, and musicians.
Shortly after the opening of Phantom on Broadway, he announced he would be writing an adaptation of A Star is Born. Does anyone know whatever happened to that project?
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian