for whatever reason the original of this that I posted a short time ago disappeared, even though the main list says I posted last, weird....so I'll repost
We saw this in Berlin on April 30.
It was extremely well-done. She convincingly plays young Sisi well.
I was especially impressed with Christa Wettstein playing the Kaiser's mother, my God she was wonderful....I wanted to throw ona bustle and jump up there and follow her.
All were good, although I found Marcus Pol, as the Kaiser slightly unconvincing....maybe it's because the role is nowhere near as strong as Sisi, Death, or ArchDuchess Sophie.....
BUT.....why is it that the beginning number, and a couple spots through the show, they do this very bizarre Michael Jackson Thriller dance kind of thing.
I mean it was odd. Steve even said to me during the first number, "is this from Thriller?"
It's a beautiful theater, we had the best seats (something I have never done) and was a great evening.
Question re: clapping.
We noticed at this production, and at Footloose in Stockholm, and also the Royal Ballet in Copenhagen that people start clapping normal, but suddenly revert to a fast clapping in synch with each other.
So rather than the applause we'd hear here it turned into a
clap-clap-clap-clap, etc never out of synch and everyone together.
Is this a version of a standing ovation, since in a couple of those theaters that would have been difficult due to location of many seats higher up?
also you can get at least the Essen production on Itunes in America as I have it.
It is ridiculous to set a detective story in New York City. New York City is itself a detective story...
AGATHA CHRISTIE, Life magazine, May 14, 1956
Updated On: 5/10/08 at 12:23 PM