As someone who was incredibly impressed by the broadway production back in '79, I thought the play at the Taper the other night was every bit its equal if not better.
Superb acting across the board, though special mention must go to... (no not Tom Berklund, you nitwits)... Charlie Hofheimer, who's astonishing portrayal of Horst in Act II moves the play to a whole other level of richness.
Great staging and superb design work by Beowulf Boritt working with the most basic tools to bring us to the core of the story. The final image onstage surpasses anything in the original broadway design. Utterly simple and devastating.
For all that, I've gotta say that the script can sometimes be a strange animal-- all sitcom jollity in scene I, then the radical about-face in tone that leads inexorably to Dachau. By Act II the dialogue has turned abstract and almost Becket-like in its rhythms and repetitions. But boy, those two scenes that stand in for love scenes that anchor Act II-- Just spectacular writing married to brilliant delivery. Anyone within a 100 mile radius of the Mark Taper should be here to see what theater can be like at its absolute best.
Updated On: 7/28/15 at 09:57 PM