Hm... I hope I can put what's on my mind into written words that make some sense... (and yes, I'm editing first)
People gripe about "what's bad for Broadway": unqualified pop stars, music reviews, unoriginal shows, large extravagant shows. But at the end of the day, they keep Broadway alive. Is it the BEST theater in the country (like it used to be)? Probably not. But it's work for artists, and the one place almost anyone who has any acting ambition aspires to be in one day.
You want "good theater"? Go to the off-Broadway, off-off-off-Broadway (dare I say "outside of New York) productions, where you have smaller theaters whose goal is not money and having a show that will run for years on end, where it truly is still a labor of love.
Believe me, I have nothing against Broadway or the large productions. I love them and look forward to the scarce opportunities I have to go and see a show.
I see it like the movies: you have your big A-list movies, with $20 million paychecks for the stars, movies that for the most part, are average at best. That's what gets the masses into the theater. Then you have the indies for the interesting work, the more challenging work that the big studios dare not touch.
Anyway... I hope that makes sense. It makes sense to me.
A question for you all: you know what's wrong with Broadway, what are you going to do about it? From what I gather, a lot of you are young and and college, so the future on B'way is on your hands.
Happy, smile! Sad, frown! Use the corresponding face with the corresponding emotion! - Kate (Meg Ryan), French Kiss