LOL. Sorry Rath -- I've read way too many reviews of this damn showand it's all begining to blur together.
Not sure what the point of having seperate critics would be. It's all the same artform. Personally I have no peference for one or the other -- musicals or plays, classics or contemporary, off-Broadway or On -- good theatre is good there and bad theatre is bad theatre, whatever form it takes.
There's also the practical matter that theatre coverage in the industry is being cut back, not expanding. We're lucky to have even ONE critic reviewing theatre on a regular basis at all of the area news outlets. The Times has a few theatre reviewers -- Brantley, Isherwood, Zinoman, Gates -- but its overall theatre coverage has been cut back in the last few years (they got rid of the Friday theatre column and there used to be Sunday reviewer -- Walter Kerr at first, then Canby -- who would review the major productions to open in a given week, giving readers second opinion of each show from the Times..... no more). There just isn't enough interest in theatre to justify the expense of TWO critics at most news outlets.
And AGAIN for the 5th time, there just aren't nearly as many musicals as plays opening in a given year. A "play critic" would wind up having to review three or four times as many shows as a "musical critic." But the idea has no merit anyway. Theatre critics -- to the extent they are qualified for the job to begin with -- know how to evaluate both plays and musicals. For chrissakes, they're not that different, just different sub genres of the same artform.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
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"The Devil Be Hittin' Me" -- Whitney
Updated On: 1/24/05 at 04:45 PM