Bring back FLOYD COLLINS

And yet you fail to mention its terrible book. The score is beautiful, I agree with you on that. But the book is dreadful. Needs to be retooled.

No. I didn't mention it. But since you did , I disagree , I don't think the book is dreadful. In fact , I had no problem with the book. The score is the reason i want to see it again so that's what I mentioned.

I agree that the score and the original performers were glorious. But, man, did they set themselves a tough nut to crack by keeping Floyd in that spot for most of the show. To make a musical about claustrophobia (and other things) has got to be one of the steepest challenges ever put on the musical stage.

Did they succeed? Only partially for me. Like Floyd, I was waiting for those few moments when the character could figuratively run free to truly relax and enjoy the evening. If that was the point, is that worth watching a show for?

One of my all time favorites...book & score. I saw it in an intimate regional theatre production. So the claustrophobia element was really brought right to you. Would love to see it revived.

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I hope if they revive FLOYD COLLINS they go back to the way it originally started. There was no Ballad Of Floyd Collins , the lights went down and stayed down and very, very slowly came up as The Call was being sung. Putting you down there in the dark with Floyd was a brillant thing to do. I wish they'd go back to it again. They could sing the Balllad Of Floyd Collins at the end of the show if they had to have it.

There was a lovely production of FLOYD in London last year. It was staged in an old railway tunnel with a bunch of ladders and boxes that the cast climbed through, over etc. Sound balance was impossible in the space so ensemble numbers were a bit of a mess, but solo moments - in particular How Glory Goes, as Floyd just kept walking further and further back into the tunnel until he disappeared into the darkness - were just beautiful, with the sound echoing naturally as well as through the sound design.

Love the score, but I do think the book drags it down. I saw a decent production of it in Chicago last year and I was excited to finally see the show. And perhaps it was the direction, but the second half was quite leaden, the structure of the show was a bit hackneyed, and the content rarely ever scratched the surface of a very basic and episodic narrative. The story basically played out like a brief newspaper article on the event rather than revealing much insight into the man, his relationships and the effect the stakes of his plight may have on others. There was some business with his brother, but even that came across as more of a Hallmark moment. I guess with all the praise the show had received, I was thinking it may end up being more like Piazza in its depth, but what I experienced seemed like the opposite.

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