The producers were adamant about keeping costs down with Caroline, so Pinkins signed onto the favored nations contract that all of the principals signed -- about $2000 per week, which is quite a low amount for a Tony-winning star of a Broadway show. According to the New York Times, however, the producers agreed to certain perks in addition to her salary -- hair/makeup people for tv appearances, a limo to and from the theatre and they helped to move her kids out from LA and set all of them up in an apartment for the length of the run (the article didn't go into any details about that last item).
The Nathan and Matthew deal was unprecedented and the $100K per week for each of them for their return stint in The Producers earlier this year was a result of their very unique bargaining position. Most really big stars -- Peters, Jackman, Neuwirth, Banderas, Glenn Close, Lane & Broderick during their original run -- have deals that are in the $35K to $50K range plus a percentage of the the profits. Each week, they'll get as much as 8-10% of the the receipts over and above the break even costs (in other words if a show's running costs are $500K per week and it grosses $1 million, then the profit is $500K and the star might get $50k that week in addition to their base salary). Very very few stars make that though. $20K - $30K is probably more typical for most lead performers on Broadway.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Updated On: 6/28/04 at 02:21 AM