IMHO, one of the reasons why critics are becoming harsher is because Broadway has become a very expensive business — a date night can set you back some pretty serious coin, and I think the critics are keeping that in mind when assessing a show. I mean, let's face it: is CLEAR DAY worth over a hundred bucks per seat? Is BONNIE AND CLYDE? Or, for that matter, SPIDERMAN? I'm kinda thinking no, sorry, they're not. And now with producers scamming tickets for as high as 450 for "premium seating", I know that were I a critic, I'd certainly be looking at that in tandem with what I'm getting for that kind of money.
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