I saw the show last night, so I'm able to recall the number of gunshots with a clear memory. One gunshot is made onstage by Lupita's character towards the end of Act I, then she makes another one at the top of Act II with 'background' gunshots (which are not loud at all). Then, there are more background gunshots in the final scene of Act II. The two gunshots that are made onstage can be quite loud and startling if you are not expecting it, but the background gunshots are not loud at all and indicate 'distance' in the play, suggesting that they are 'near' the violence but are not in the middle of it.
Act I gunshot: Lupita's character is being coerced into shooting a firearm by 'Wife #2'. It's fairly predictable the way it's set up, and the firearm is pointed at the audience when it is fired.
Act II gunshot: Again, Lupita's character is being coerced into shooting an 'enemy' in the distance and she hesitatingly takes the shot, this time pointing the firearm at stage left.
"Mostly, I loved the size of these people's emotions. Nobody has emotions this size anymore. Outsized emotions. Operatic emotions. Kushemski and Vanda are like Tristan and Isolde, they're Paolo and Francesca. Nobody's in total thrall like this anymore. Nobody's overcome by passion like this, or goes through this kind of rage." Thomas, Venus in Fur
Updated On: 3/27/16 at 06:11 PM