Worth nothing, for my money, Skeggs has some of Kron's best book scenes, the middle Allison's plight is, after all, the one that is tethered/smack up against Bruce's final days. The show's (and Bechdel's graphic memoir's) event around which the story centers. Skeggs's performance is so winning because she effortlessly plays the vulnerability and "hidden" aspect of being someone that age, i.e. only partially owning yourself, yet full of hope and genuine joy to discover the resulting fully formed human being. Her performance is terrific, never better than in the penultimate scene at home (which to me is an extraordinary sequence, a play in and of itself) with Joan and Bruce and Helen. And watch her in the show's defining moment, when Bruce invites her to go for a ride, and then turns his gaze to Malone. To me, one of the most electric in musical theater, one that pays off the conceit of the whole show. But I am a huge fan of Malone, Kuhn, and Skeggs, all of whom do stellar work. I'm so happy to read a thread about Skeggs.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling