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FOLLIES – London 2017: A Theatre Review

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#2

Thank you.

I enjoyed your report, Jorge, Thank you.

#3

Thank you.

I spent about a decade developing my exposure to and appreciation of Sondheim. One of my last challenges was Follies. Not only because of its fabled past, but because there was no filmed version, a criminally butchered OCR, and misbegotten attempts since. And staging and casting requirements (ghosts) that almost guaranteed no chance, ever, of a profitable production,

When it was staged in DC, I booked tickets. Before seeing the show, both my husband and I read the excellent "Everything Was Possible" behind the scenes tale of the show and I delved into the many recordings (including the London songs from the OLCR and the Papermill recordings of the early ones). We had front row center seats.

I was overcome. I had never expected that a full production could be mounted. And it was just there. So many layers. Bernadette practically cried into my lap. All that color, all that light. I was overwhelmed. I had never felt such fullness of satisfaction, akin to being sated by the best feast ever.

I look forward to the NT Live broadcast reprise in a few weeks.

Updated On: 11/26/17 at 02:14 AM

#4

Thank you.

MarkBearSF said: "I enjoyed your report, Jorge, Thank you."

I enjoy doing it!



#5

Thank you.

Wonderful review! Glad you enjoyed it. The director is Dominick Cooke not Dominick Cooper.
#6

Thank you.

Deena Jones said: "Wonderful review! Glad you enjoyed it. The director is Dominick Cooke not Dominick Cooper."

Thanks Leena, I've just updated it with the director's right name.

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