Well, the recent West End revival of 'Equus' will be making its way over to Broadway next year apparently, so I'm going to say that.
Nothin' quite as marvellous as strolling into a theatre and seeing those glorious cage-like horse heads glinting wickedly at you from the walls onstage. ^_^
I loved walking into the theatre for Spelling Bee because they did such a good job making it look exactly like an elementary school. It was so comprehensive and detailed.
Hear the words I sing: war's a horrid thing. So, I sing sing sing... Ding a ling a ling.
I love the Rent stage.. It's just right there in front of you.. never changing.. I just think it's pretty cool... And if u sit close enough you can see the actors and backstage guys on the side of the stage.. The enviroment is fun..
"It's terrible to have a house fall on you, it is, but accidents will happen"
As random as it is...I really loved the pre-set for the Livent/RUG tour of JOSEPH (Donny Osmond). You walk in and theres a black scrim down, and only a bit of stage showing, on which you have the Narrator's chair center, and the Dreamcoat on a hanger stage right.
So simple, and yet it's stayed with me. Dunno why.
I'm surprised no one has mentioned URINETOWN. There were searchlights moving back and forth across the stage and audience. Every so often, a policeman would patrol the stage. And there was the sound - a mixture of hissing steam, dripping water, clanging metal - all with an echo effect - suggesting a factory/waterworks.
Then, when it was show time, a policeman crossed from stage left to stage right, leading a "prisoner". He opened the door of what looked like a holding cell, and threw the prisoner in. The lights came on in the "cell", and it was the musician's area. The "prisoner" was the conductor/pianist, who sat down and began the overture.
The WORST pre-set I've seen, though not on Broadway, was definitely for Cirque du Soleil's "KA" in Las Vegas. There were bursts of fire coming out of the sunken stage, and, sitting in the front on a hot day, I could feel a great deal of heat every time fire came up. That made the environment very dry, hot, and extremely uncomfortable. On top of that, there were acrobats dressed as heathens/barbarians screaming in jibberish and leaping all over the audience, and occasionally "interacting with" (ie scaring) them. A horrible preface to beyond disappointing show.
Technically speaking, your pre-set is exactly where all props, sets, costumes, even actors are to begin each performance. However, it usually refers to which set pieces are on stage before a performance, weather there is a curtain or not.
The curtain and proscenium are not considered pre-set as they are technically not a set piece or prop at all but a part of the theatre, unless it is actually used in a performance (i.e Wicked).
Although, for the purpose of this thread, I would say Wicked is my favorite "pre-show" set. I love how it really sets the tone of the show really well and gives an artistic and thematic preview to the show and really sets a tone that stays throughout the show.
I really like Spelling Bee's pre-set. I know it might not be the most exciting, but it really set the scene well. I saw it on tour, and there was a poster hanging in the lobby that is actually in one of my class rooms, which I thought was really funny. I know it's technically off-Broadway, but I have to say I really liked Altar Boyz, just because, once again, it really did make you feel like you were at a concert. Also, if we're allowing Wicked, I'd say that too, just because it's cool and magical and I about had a breakdown from sheer excitment when I walked into the theatre to see the show the first time :)
I think 'pre-set' means when there is no curtain and you see the set before the show. i.e Rent
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
The Phantom of the Opera's is amazing. It really sets the mood right from the very start. I love the way the lights beam down behind the dropped curtains onstage and the theatrical smoke under them. It's magical.
Recreation of original John Cameron orchestration to "On My Own" by yours truly. Click player below to hear.