Highest Note Hit by a Male Actor on Broadway Album — Page 2

See, the dumbest thing about high notes is that if you have got a fantastic belt you always use it. A friend of mine ended every f***ing song the same way....BOOORING! As a high Tenor I can belt a Bb, but I can also sing Christine in Phantom in my head"Opera Diva" voice (well everything appart from the last bit of the title song)...

---

Michael Ball hits a B flat at the end of "Love Changes Everything." I don't know how he sustained that every night on stage!

---

If we are limited to just a soundtrack, I would have to go with either Titus or Neeley from JCSS. Both I believe are going up to High G. But for theater song recordings in general or live, I would have to go with Danny Zolli doing Gethsemene from JCSS. Zolli easily nails that High G and then goes above it ( a High B, I think during a riff note) during his version of "Gethsemene". I've seen him do this a couple of times live, and frankly it's just sick. It has a piercing real blood and guts tone to it, and it's just sick.

That DING DONG note in Sweeney Todd by Beadle is RIDICULOUS.

Songs For a New World, that note in Flying Home.

---

Steve Balsamo takes the crown in terms of "Gethsemane".
And also, Ty Taylor's high F on "LOOOOOOOOOOORD" on "On the Deck" from SFANW is absolutely amazing.

But I'd say the winner is Tituss Burgess, not just on "Under the Sea," but on "Oh What a Night" as well. He hits that same note.

---