#51
Posted: 8/7/09 at 12:28pm
As for "Could We Start Again, Please," too many people miss the point of the number. In theater terms, it's a "slow-down" after the raucous shuffling from government official to government official, much needed relief for the audience. But it's also much more than that.
For one thing, it's not really a song of apology, unless you're buying into the additional lyrics for the 1992 20th anniversary London cast, which were added to give the album a hit pop single to springboard off of, and which have rarely (if ever) been used since. In dramatic context, the song makes more sense, and is hardly an apology from anybody.
It's about Mary's (and to a lesser extent the apostles') sense of loss. She may have seen his arrest coming, but not so soon. She's thinking, "Whoa, whoa, wait a minute--things were just going well. I was happy, you were happy, he wasn't necessarily happy but we made it work. It shouldn't be like this. The first guy who treats me well, and he's gone. What do I do now?" She wants to turn back the clock, to calm him and anoint him again, to feel his hand in hers. She feels desperate and confused. How did things get so out of hand? Why is Jesus taking things to such an extreme? Mary says she's been both living to see him and also dying to see him, that she's been hopeful but also now pessimistic. Like Jesus himself, like his movement, this moment is rife with emotional and intellectual contradictions. Mary even echoes Judas' opinion that Jesus has gone too far, begging Jesus to stop all this--just as Judas had. Even Mary no longer believes that Jesus is on the right path--could it be because he's not? But the song also tells us that Mary finally realizes that she has lost forever her chance to express her love to Jesus. She was scared and now she's lost him.
That's the main thrust of the song. No apologies about it.
The additional lyrics, plus the title line, do tend to make it seem like more of an apology song, but it's not like that in the show. It's a plea to turn back time before it's too late more than anything.
For one thing, it's not really a song of apology, unless you're buying into the additional lyrics for the 1992 20th anniversary London cast, which were added to give the album a hit pop single to springboard off of, and which have rarely (if ever) been used since. In dramatic context, the song makes more sense, and is hardly an apology from anybody.
It's about Mary's (and to a lesser extent the apostles') sense of loss. She may have seen his arrest coming, but not so soon. She's thinking, "Whoa, whoa, wait a minute--things were just going well. I was happy, you were happy, he wasn't necessarily happy but we made it work. It shouldn't be like this. The first guy who treats me well, and he's gone. What do I do now?" She wants to turn back the clock, to calm him and anoint him again, to feel his hand in hers. She feels desperate and confused. How did things get so out of hand? Why is Jesus taking things to such an extreme? Mary says she's been both living to see him and also dying to see him, that she's been hopeful but also now pessimistic. Like Jesus himself, like his movement, this moment is rife with emotional and intellectual contradictions. Mary even echoes Judas' opinion that Jesus has gone too far, begging Jesus to stop all this--just as Judas had. Even Mary no longer believes that Jesus is on the right path--could it be because he's not? But the song also tells us that Mary finally realizes that she has lost forever her chance to express her love to Jesus. She was scared and now she's lost him.
That's the main thrust of the song. No apologies about it.
The additional lyrics, plus the title line, do tend to make it seem like more of an apology song, but it's not like that in the show. It's a plea to turn back time before it's too late more than anything.
"There is no problem so big that it cannot be run away from."
~ Charles M. Schulz
Updated On: 8/7/09 at 12:28 PM