Wow! What a voice! I prefer deeper voices for the Phantom. Jonathan Roxmouth qualifies, as does Norm Lewis.
When MOTN is done right, it exudes sexiness. It has to be slow and sensual. The speeded up versions don't cut it (e.g., Michael Crawford's version on the original concept album and Ramin Karimloo's version on his debut solo album. Jonathan Roxmouth gets it right.
What a problematic name for a singer, however.
Audrey, the Phantom Phanatic, who nonetheless would rather be Jean Valjean, who knew how to make lemonade out of lemons.