the role of Cosette might be the most crapped-upon female part in pop musical theatre. it is rather boring by nature, and the musical puts so much focus on Eponine's issues, you can't help but resent Cosette in that same roundabout minor way as with Raul in POTO.
plus, the poor gal playing her is (hopefully) one of the better-trained, more highly-disciplined singers in the cast. While Eponine has the freedom to be played by any pop star with a belt and a "sad" face, it's rare to meet a Cosette who gets to smoke as many cigarettes as she'd like. Then she gets the unenviable task of sitting backstage trying to keep her voice warm for the 1st hour, just so she can be thrown into an ugly dress (obviously chosen by Valjean), have her solo cut in London, and take on all responsibilty for providing the score with its soprano harmonies. If she's lucky she also gets to play one of the whores in Lovely Ladies.
Judy was waaaay more interesting as Florence in Chess, a much more bad-assed female lead role; one that gets both solos and an opinion and doesn't need a happy ending or a man to keep her singing.
"The last train out of any station will not be full of nice guys."
- Dr. Hunter S. Thompson
"I wash my face, then drink beer, then I weep.
Say a prayer and induce insincere self-abuse,
till I'm fast asleep"- In Trousers
Updated On: 3/22/05 at 01:01 AM