#1
Posted: 12/13/15 at 1:39pm
Has any one sat in the $37 seats for KC3? How is the view? The are the top 2 rows of the mezzanine off to the sides.
King Charles $37 ticket?
#2
Posted: 12/13/15 at 3:03pm
I sat in those seats and I think the view is great for the price. It's really not that far back and you can still see the actors faces.
#3
Posted: 12/13/15 at 3:59pm
The action of this play occurs on center-stage the entire time, so I doubt there's a truly "bad" seat in the house. I'd recommend rush as the best option to see this show for cheap. My rush seat was "partial view" in the sense that they marked it partial view to justify giving it out as rush. I saw everything.
BROADWAY: The Cripple of Inishmaan, This is Our Youth, If/Then, Hedwig and the Angry Inch (x3), Cabaret (x2), The Real Thing, A Gentleman's Guide to Love and Murder, Chicago, Les Miserables (x2) Disgraced, Finding Neverland, On the Twentieth Century, Wolf Hall Part I, On the Town, Fun Home; TOURING: Jekyll and Hyde, The Book of Mormon; LOCAL: The Twilight Zone, Anne Boleyn, Death and the Maiden, The Lying Kind, Chorus Line, Stupid F**king Bird
#4
Posted: 12/13/15 at 7:58pm
rob136 said: "The action of this play occurs on center-stage the entire time, so I doubt there's a truly "bad" seat in the house. I'd recommend rush as the best option to see this show for cheap. My rush seat was "partial view" in the sense that they marked it partial view to justify giving it out as rush. I saw everything."
I would second the rush option I went last Saturday night and got a rush ticket at like 6:45 pm which said partial view. It was all the way on the end of the isle, however right before the show started the usher come down and told us to feel free to move to any open seat. We moved back 2 rows dead center.
"I'd rater be nine peoples favorite thing, than a hundred peoples ninth favorite thing"
#5
Posted: 12/14/15 at 10:39am
I also rushed the $37 seat and got second row orchestra, fairly far side--but was able to move to dead center a couple of rows back for the Act II. Both views were more than fine.
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