**Of course, here in the U.S. the musicians' unions would bankrupt a show running more than 3 hours. I don't blame them though. Heaven forbid the orchestra members should have to work more than 3 hours a day for their $100,000 a year. **
Ah...not quite. :)
I work 12 hours a day and don't even come close to that number. As a matter of fact I posted a thread about finding a good day job. And of all the musicians I know in 802, only *3* are currently in a situation where they have a seemingly long term gig, but no guarantees. Most of my co-horts in 802 are temping right now and barely making ends meet. Maybe Sondheim makes that amount of money a year, but most musicians don't.
As for the orchestra size, IMWO, there is no pit big enough on Broadway to handsomely compliment this score regardless, unless you do it at Radio City in concert. I was always bummed about the smaller size pit that did the Broadway run of Chess, because it just couldn't capture the majesty of the London Symphony Orchestra, but you can only fit so many musicians under the stage. Then again, it's the producers that keep pits small, not the Union, they have a hard enough time just to keep humans working, that is unless, you truly want to hear a tape in the house every night. But that's another dead horse of a topic that's already been long beaten. :)
"Sticks and stones, sister. Here, have a Valium!"