Ha. I had high hopes for Losing Louie (considering how it was acclaimed in London, along with the great cast they assembled). Louie was a complete mess of a play (who knew?) and I was glad that I had comps. I walked out thinking virtually the same thing I walked out of LoveMusik thinking...
"Did they really just spend 5 minutes talking about their foreskin?" Only, at Musik, it was "did she really just spend 2 minutes putting on make-up?"
To me, at least, the only redeeming factors of LoveMusik were the cast, music, and most of the technical elements.
It could have benefitted from an out of town engagement, but it's so artsy that there's no way it would have successfully found an audience. Instead, the creatives had what - 3 weeks to make changes? Same with Deuce.
Is it just me, or is it that "iffy" prospects shouldn't go cold to Broadway?
Updated On: 5/24/07 at 12:24 PM