#1
Posted: 8/2/06 at 3:40pm
Anyone know if they are planning on going with the original Broadway concept or the new decked out version in London?
#2
Posted: 8/2/06 at 3:43pm
OK, I'll bite...what's the new decked out version?
Hey Dottie!
Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
#3
Posted: 8/2/06 at 3:44pm
I believe they built way more of the set into the audience and i remember reading something about there being a full scale ballroom for the weddign and such. I am gonna try and find the artical.
#4
Posted: 8/2/06 at 3:45pm
I may be wrong, but I think they are just bringing the tour production set to Broadway since the tour just ended
***It is not in the stars to hold our destiny but in ourselves.
-- William Shakespeare***
#5
Posted: 8/2/06 at 3:53pm
Which begs the question, what set did the tour version have? THE PUBLIC NEED TO KNOW!?!
Anyway, back to my calm voice, the London set used in the Queens theatre is not noticably different to the one used at the Palace for all those years. The Ballroom isn't really a ballroom, it's just the normal stage without the barricades, like 'On My Own', but instead of the shutter lights in the background they have this thingy which makes it look like there is a kind of semi-circular end to the room, hard to describe. Not really remarkable though. I hope the tour version isn't much different, I LOVE the London version, I've never seen it in the States.
Anyway, back to my calm voice, the London set used in the Queens theatre is not noticably different to the one used at the Palace for all those years. The Ballroom isn't really a ballroom, it's just the normal stage without the barricades, like 'On My Own', but instead of the shutter lights in the background they have this thingy which makes it look like there is a kind of semi-circular end to the room, hard to describe. Not really remarkable though. I hope the tour version isn't much different, I LOVE the London version, I've never seen it in the States.
The rain we knew is a thing of the past -
deep-delving, dark, deliberate you would say
browsing on spire and bogland; but today
our sky-blue slates are steaming in the sun,
our yachts tinkling and dancing in the bay
like racehorses. We contemplate at last
shining windows, a future forbidden to no one.
Derek Mahon
"Maybe all one can do is hope to end up with the right regrets."
Arthur Miller
deep-delving, dark, deliberate you would say
browsing on spire and bogland; but today
our sky-blue slates are steaming in the sun,
our yachts tinkling and dancing in the bay
like racehorses. We contemplate at last
shining windows, a future forbidden to no one.
Derek Mahon
"Maybe all one can do is hope to end up with the right regrets."
Arthur Miller
#6
Posted: 8/2/06 at 3:53pm
Here is the article talkign about the changes in the London Production.
Les Misérables Reopens at London's Queen's with Substantial Redesigns
Les Misérables Reopens at London's Queen's with Substantial Redesigns
#7
Posted: 8/2/06 at 4:09pm
From seeing it in London in May, I remember the "ballroom" being exactly the same as it always was, except for a back-wall projection of a ballroom wall and windows. The "audience" portion of the set was simlply sewer openings and alcoves on each side of the stage, where there are typically just grey brick wall pieces. Cast members used these sometimes as entrances and exits.
#8
Posted: 8/2/06 at 4:18pm
I have heard that they are actually going to bring in the tour set and install in at the Broadhurst.
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
#9
Posted: 8/2/06 at 4:20pm
Again I ask the floor, what's the tour version set like?!?!?
The rain we knew is a thing of the past -
deep-delving, dark, deliberate you would say
browsing on spire and bogland; but today
our sky-blue slates are steaming in the sun,
our yachts tinkling and dancing in the bay
like racehorses. We contemplate at last
shining windows, a future forbidden to no one.
Derek Mahon
"Maybe all one can do is hope to end up with the right regrets."
Arthur Miller
deep-delving, dark, deliberate you would say
browsing on spire and bogland; but today
our sky-blue slates are steaming in the sun,
our yachts tinkling and dancing in the bay
like racehorses. We contemplate at last
shining windows, a future forbidden to no one.
Derek Mahon
"Maybe all one can do is hope to end up with the right regrets."
Arthur Miller
#10
Posted: 8/2/06 at 4:24pm
Imitation cobblestone floor, with revolve, barricades, gate, background with shutters, and other pieces such as tables brought on as needed.
"Wherever you go... I'll be right there. When you get your own private kick in the ass, just remember: it's a present from me to you."
Rose's dying words to Louise
#11
Posted: 8/2/06 at 4:25pm
Ok so it's pretty much London. Do the tables get carried on by stage hands or do they come around on the revolve?
The rain we knew is a thing of the past -
deep-delving, dark, deliberate you would say
browsing on spire and bogland; but today
our sky-blue slates are steaming in the sun,
our yachts tinkling and dancing in the bay
like racehorses. We contemplate at last
shining windows, a future forbidden to no one.
Derek Mahon
"Maybe all one can do is hope to end up with the right regrets."
Arthur Miller
deep-delving, dark, deliberate you would say
browsing on spire and bogland; but today
our sky-blue slates are steaming in the sun,
our yachts tinkling and dancing in the bay
like racehorses. We contemplate at last
shining windows, a future forbidden to no one.
Derek Mahon
"Maybe all one can do is hope to end up with the right regrets."
Arthur Miller
#12
Posted: 8/2/06 at 4:27pm
I haven't seen LM in London since it moved from the Palace, but the sets at that point were pretty much identical. There was some slightly different blocking with the actors, but I don't remember anything different happening with the sets.
'"Contrairiwise," continued Tweedledee, "if it was so, it might be; and if it were so, it would be; but as it isn't, it ain't. That's logic."'
~Lewis Carroll
#13
Posted: 8/2/06 at 4:33pm
vmlinnie, When I have seen the tour, the tables are set on the revolve or are set behind the scrim, which is used to display time and place, etc (I'm sure they have the same thing in London, but I've never seen it there)...the actors are not seen bringing out the set pieces.
***It is not in the stars to hold our destiny but in ourselves.
-- William Shakespeare***
#14
Posted: 8/2/06 at 4:35pm
I feel silly for starting this thread. From reading the article i assumed there was like some HUGE face lift to the production.
#15
Posted: 8/2/06 at 4:36pm
Yeah, I was expecting the same thing in London, but it wasn't all that different -- except maybe for the Les Mis freaks like me who've seen show more than 20 times.
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