aimeric said: "There are currently, and always have been, a number of awkward lyrics in Les Mis, which is why I guess they feel the need to keep tinkering with them.
The one that always drives me batty is the recitative alteration between "Red and Black" and "DYHTPS," something about "the light of rebellion ablaze in their eyes." It's been there in the show forever by now, but here I am, still singing along with Anthony Warlow in the 1988 CSR recording, so I don't think I'll ever get used to it.
And while I'm on the subject of Enjolras edits, this isn't a lyrical change, but it is so gross to my ear that I can't stop obsessing over it. Can someone please, please tell me why they thought it necessary to alter Enjolras' last two notes ("until the earth IS FREE!"*) to that horrid octave jump belt??? That can't be how it's originally written in the score, it just can't! For years, most actors seem to have just yelled it, which I much preferred, because now, having heard this shrieky belt attempted on more than one disastrous occasion, I'm starting to think that only a handful of human voices on earth are capable of making it not sound super awkward, and last I checked, Pippa Soo has not been approached to play Enjolras any time soon. :P
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You and me both. He is my favorite Enjolras (well, probably favorite singer on anything he has ever recorded) and the main reason I listen to the Symphonic recording.
Updated On: 3/23/17 at 10:55 AM