What I love about Lin-Manuel Miranda is that he doesn't have the need to say how much he didn't like traditional Broadway musicals every other chance he gets (yes, Duncan Sheik, that was a jab at you). He actually acknowledges how much traditional Broadway influences his own writing.
And really, if everyone had been thinking about "traditional" Broadway genre, we wouldn't have COMPANY, CABARET, HAIR, A CHORUS LINE, PASSION, CAROLINE OR CHANGE, BRING IN THE NOISE/BRING IN THE FUNK, THE THREEPENNY OPERA, PROMISES PROMISES, DREAMGIRLS and a plethora of other musicals that incorporated different, new ideas/music/style, etc into the Broadway genre.
I mean, I do hate it when somebody says they like musicals and the list they give you is limited to RENT, WICKED, and THOROUGHLY MODERN MILLIE, but some of my iPod playlists have "It Won't Be Long Now" and "96'000" from IN THE HEIGHTS demo, "Lot's Wife" from CAROLINE OR CHANGE, "Rose's Turn" from GYPSY, "Adelaide's Lament" from GUYS & DOLLS...I mean, Broadway is eclectic, fun, and should always be re-inventing itself.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Updated On: 5/22/08 at 04:44 AM