The musical is a whole mish-mash of sources, as well as an original interpretation. It focuses on the love triangle between Martin, Arnaud du Thil (the person who assumes his identity), and Martin's wife (whose name escapes me now), as well as the mob mentality of a small medieval village.
I agree with InTheMoney: 'Tell Me To Go' was my favourite song from both versions (such a beautiful melody and piano orchestration), but its revision 'Don't' really killed it. I also loved 'All I Know' and 'When Will Someone Hear', though the latter song isn't as developed as 'How Many Tears'.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."