One of my best friends from high school was in the original cast. I saw it shortly after opening and remember that I wasn't particularly impressed with it at all. When I met my friend after the show, before I even had a chance to lie and tell him how much I loved it, he interrupted me and told me, "Before you even say one word, I just wanna state for the record that this isn't a great show, but heck it's gonna run for years so I'm happy for the job and now I'll be able to afford to get a mortgage on something." And he told me that among the cast he wasn't alone in his opinion of the show (I met a few cast members afterwards with him and they were even harsher in their critique of it than I would have ever been).
That aside, I thought Salonga and Pryce were quite good. Nearly everything else for me was utterly forgettable -- especially the rather generic and indistinguished score (most of Salonga's music was some of the most bland pop pablum I'd ever heard -- it sounded like rejects from a local easy listening radio station).
I can vividly recall Pryce pulling out all the stops to sell the "American Dream" number, but that the song itself and the staging just sat there not helping at all, as if the creative team just hoped that through sheer presence and charisma, Pryce could turn straw into gold. He got close -- expending that much energy, he'd have stopped the show if he had been given a really solid number to perform. Instead, he just got a nice little bit of applause at the end.
The overall idea and concept of the show was an excellent one -- it just wasn't executed and staged with enough vision and creativity (it seems like most of the work went into that lame helicopter stunt, rather than the book, score and staging). I saw a production of Puccini's Madama Butterfly shortly afterwards and it was striking to me how far superior the original opera was scene by scene to the pale knock-off that was playing on Broadway. SO much potential wasted.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney