Musical Films in the 2000s

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Musical Films in the 2000s

Posted: 5/29/10 at 4:09pm

here's another question floating around in my head between physical therapy appointments.

What are the upcoming musical films slated for the few years?

I decided to watch all the shows turned films made since 2000 and I realized that The Producers has not been released on Blu Ray. Does anyone know why?

Also, So far I've got the following musicals on Blu Ray Am I missing any and am I watching them in the correct order (order of release)
Chicago
Phantom
Rent
Dreamgirls
Hairspray
Sweeney Todd
Mamma Mia
Nine

Sorry if I'm boring you guys, I think those are in order as far as I can tell from Wikipedia, but I'm not sure if I'm missing any, and I just don't understand why The Producers isn't on Blu ray in the US, it's available in Japan after all.

Again, sorry if I'm bothering anyone, I'm just sooo bored in my apartment here recovering.

Musical Films in the 2000s

Posted: 5/29/10 at 4:17pm

Once (while not a musical in the usual sense; the music propelled the story)

Moulin Rouge

"They're eating her and then they're going to eat me. OH MY GOOOOOOOOOOOOOOOOOD!!!!" -Troll 2

Musical Films in the 2000s

Posted: 5/29/10 at 4:22pm

Thanks so much!

Musical Films in the 2000s

Posted: 5/29/10 at 4:30pm

Here are all of the major musical releases of the 2000s. Note that these do not include indie titles, such as OPEN HOUSE and THE BIG GAY MUSICAL.

Original film musicals: MOULIN ROUGE, DE-LOVELY, ACROSS THE UNIVERSE, ROMANCE & CIGARETTES, ONCE, ENCHANTED, HIGH SCHOOL MUSICAL 3, THE PRINCESS & THE FROG.

Stage-to-Movie Musical: CHICAGO, THE PHANTOM OF THE OPERA, RENT, THE PRODUCERS, DREAMGIRLS, HAIRSPRAY, MAMMA MIA!, SWEENEY TODD, NINE.

Stage-to-TV Musical: SOUTH PACIFIC, THE MUSIC MAN, A CHRISTMAS CAROL, REEFER MADNESS, ONCE UPON A MATTRESS.

Original TV Musical: GEPETTO, HIGH SCHOOL MUSICAL, HIGH SCHOOL MUSICAL 2.

"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle

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