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#1

Musical Source Material Rights

For the past few months, I have been trying to get in contact with the literary agent of a novel I want to adapt into a musical. I've written her office email, her office's permissions office, the author of the novel, i've called her office, and have received nothing back. Does anyone have experience with receiving permission for a property's musical setting rights, and the most efficient way to go about doing it.

#2

Musical Source Material Rights

It's helpful if you have an agent and/or an impressive musical theatre writing resume. If I were you, I wouldn't put too much effort into it, since you can't seem to get any response. Also, it's not just permission - you'd need a lawyer or agent to negotiate.

#3

Musical Source Material Rights

When I adapted a Britcom into a musical, I needed to get a license from the agency (in the U.K.) that represented the program's screenwriter and pay them like $75 for a workshop in front of 35 people.

Communication was done entirely via email, and they were pretty prompt. I guess it depends on the material and how flexible the owners are with their intellectual property.


https://newplayexchange.org/users/99643/amanda-delalla
#4

Musical Source Material Rights

^ That is atypical and not at all the standard. Your source material must not hold much value. If the property you're attempting to secure rights for possesses a higher value, you will be hard pressed to find success in unsolicited appeals and cold calls. You need a "name," you need an attorney and you need money to start. Get a producer or reputable theatre company interested first, then let them attempt to secure the rights (assuming you have no agent/manager or legal representation). Best of luck in this very difficult endeavor that will likely lead to closed doors and disappointment without the proper resources.

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