I think almost every writer under the age of 70 was heavily influenced by the one, two, three punch of COMPANY, FOLLIES, A LITTLE NIGHT MUSIC.
For the previous generation, it was the R&H musical plays and MY FAIR LADY. By the 1950s, even straight-up musical comedies (see GUYS AND DOLLS) and shows by the old masters (Porter, Berlin) showed the influence of OKLAHOMA!'s structure. (Main couple, secondary couple; two cultural groups--gangsters/missionaries, hicks/show folk, management/labor, etc., coming together; reprise-heavy second act.)